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Chronology1706: born in Boston ResourcesBenjamin Franklin: A Documentary History is a remarkably comprehensive resource on Franklin's life by a leading Franklin authority, J. A. Leo Lemay. It features a year-by-year summary of Franklin's activities. Benjamin Franklin and the Armonica describes Franklin's invention of a musical instrument called the armonica. Benjamin Franklin: Writings includes his autobiography, as well as numerous newspaper articles, essays, and letters. The Complete Poor Richard's Almanacks contains facsimiles of Franklin's almanacs. "The Mysterious Glass Armonica" discusses Franklin's invention. Reappraising
Benjamin Franklin: A Bicentennial Perspective contains numerous critical essays
on Franklin's journalism, as well as other aspects of his work. The Autobiography is available online. Updated July 2, 2001
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Benjamin Franklin, 1706-1790By Mark Canada
Benjamin Franklin, in the words of biographer Carl Van Doren, was a "harmonious human multitude." As Van Doren's assessment suggests, Franklin's life and work are at once difficult and simple to summarize. On the one hand, his multitude of contributions in the worlds of printing, science, politics, journalism and literature defy brief summary. On the other hand, these many accomplishments were in harmony with one another in that they share some a common theme of human progress through human initiative. LifeBorn the 15th of a tallow chandler and soap boiler,
Franklin perhaps had little reason to think that he would become famous and
wealthy. He was, however, a man of means. Throughout his early
experiences in journalism, printing, and businesses, he was a diligent
student of human nature and developed the means for success. Long
before Dale Carnegie, Franklin was a master of winning friends and
influencing people. In his autobiography, he Together with his brilliant mind and creative energy, Franklin's mastery of means led him to succeed in a variety of fields. After beginning his printing career as merely an apprentice to his brother James, he eventually became one of the most successful printers in the colonies. As Esmond Wright notes in Franklin of Philadelphia, he sold 10,000 copies of his Poor Richard's Almanack a year, a best-seller second only to the Bible at this time (55). Thanks to his financial successes in printing, he had the leisure to pursue his interests in science and politics. In the former arena, he established a connection between lightning and electricity, made important observations about the Gulf Stream, and invented bifocals, the lightning rod, the Franklin stove, and a musical instrument called the armonica. In the realm of politics, Franklin earned his reputation as one of the Founding Fathers by making numerous contributions to the formation of the United States of America. He was one of the first persons to suggest a colonial union; in 1754, he called for the formation of a federal council to organize defense of the colonies and to create policies regarding the Native Americans. In 1776, he served on the five-person committee to draft the Declaration of Independence and made a number of revisions in Thomas Jefferson's document. Between 1750 and his death in 1790, he wrote several political essays, including Causes of American Discontents before 1768, as well as speech calling for adoption of the Constitution at the Constitutional Convention in 1789. Perhaps his greatest contribution, Esmund Wright suggests in Franklin of Philadelphia, is his work to solicit assistance from France during the American Revolution: "All the financial aid from 1776 to 1781 came by and through France; 90 percent of the power used by Americans in the first two and a half years of war came from France. And most of the credit for this French assistance must go to Franklin" (336). Despite their number and diversity, Franklin's accomplishments were harmonious. At their core was an unshakable pragmatism, a concern with the means by which humans can improve themselves and their environments. In this respect, he was a major American voice of the Enlightenment. In his invention of the Franklin stove, the maxims of Poor Richard, his establishment of the Junto and a circulating library, and the "bold and arduous Project of arriving at moral Perfection" he describes in his autobiography, we can see a commitment to human progress through human initiative. For instance, Franklin had infinite hope for the potential of science to improve human life. In a letter he wrote to Joseph Priestly in February 1780, he celebrated the growing "Power of Man over Matter," seeing in it great potential for improving transportation, agriculture, and human health (Writings 1017). Franklin even recognized the value of knowledge with no immediately obvious practical applications. Asked of what use the hot-air balloon could be, Franklin responded: "What good is a new-born baby?" (Wright 324). Indeed, so practical was Franklin that some observers, particularly other writers, have accused him of being shallow. The most vocal of these detractors, D.H. Lawrence, complained that Franklin oversimplified human psychology. "Why, the soul of man is a vast forest," Lawrence famously declares in Classic American Literature, "and all Benjamin intended was a neat back garden" (52). A half-century earlier, Herman Melville included Franklin among those "keen observers of the main chance; prudent courtiers; practical magicians in linsey-woolsey" (Wright 2). What seems to vex these and other writers is Franklin's fascination with the practical and neglect of the spiritual, as well as his belief in humans' control over their lives and environment. Reacting to such confidence, Lawrence argues: "We are only the actors, we are never wholly the authors of our own deeds or works" (59). It may be, however, that Franklin's celebration of free will was a matter of focus, rather than ignorance. In their worthy pursuits of life's mysteries, many writers--Nathaniel Hawthorne, Herman Melville, Theodore Dreiser, and Eugene O'Neill, to name a few--have run the risk of losing sight of humans' capacity to control at least a portion of their lives. It was this portion--which he believed to be large--that interested Franklin. Wright characterizes Franklin as practical problem-solver rather than a theorist: "He had little time for metaphysics or the life of the imagination. His interest was not that of the radical (or of the true philosopher) in doctrine, or even in constitutions, but that of the businessman, the man of affairs, and the politician, in getting things done and in getting problems--specific and immediate problems--solved. For him, problems were for solving by reason and compromise, not raw material for crusades" (351). Instead of merely being ignorant of Lawrence's "vast forest," Franklin perhaps chose to focus his energies elsewhere. Wright puts it this way: "He worked in the light" (4). Literature and JournalismOn top of all of these accomplishments, Franklin is among America's greatest writers. In the realm of literature, his autobiography is one of the finest and widely read in the genre, and essays such as "The Speech of Miss Polly Baker" and "The Sale of the Hessians" are frequently anthologized. The maxims he included in his Poor Richard's Almanack, furthermore, have made him one of the most frequently quoted Americans in history. Truly a belles lettrist in the tradition of the eighteenth century, Franklin also wrote, edited, and published the leading newspaper of his time, The Pennsylvania Gazette. As such, he was one of America's first and most prominent literary journalists. Some of his first known compositions were essays he contributed to the New England Courant, edited by his brother James. Published in 1722 under the pseudonym "Silence Dogood," these essays and others Franklin wrote for the Courant resemble much other journalistic writing of the time, particularly that of The Spectator, an English publication edited by Joseph Addison and Richard Steele. Rather than report on current events, Franklin generally shared his views on various general subjects in the vein of a modern newspaper column. In the fourth of these essays, for example, he satirizes Harvard College; in the eighth, he parodies maudlin poetry; in the tenth, he proposes insurance for widows. Years later, after a split with James and additional work in printing, Franklin took over The Pennsylvania Gazette in 1729. While he edited and published the newspaper over the ensuing decades, he continued to publish essays, including "Lying Shopkeepers" and "On Simplicity." He also acted as a reporter, however, and composed a number of straight news stories on crimes, law, acts of nature, and odd incidents. It is in the work that he produced for The Pennsylvania Gazette that Franklin demonstrated his outstanding talent for journalism, even anticipating later trends in news gathering and reporting. In an age when more than half of newspaper starts failed within two years, Franklin's Gazette not only survived, but succeeded brilliantly. Calling it "the best newspaper in the American colonies" (44) journalism historians Edwin and Michael Emery note that the Pennsylvania Gazette "had the largest circulation, most pages, highest advertising revenue, most literate columns, and liveliest comment of any paper in the area" (44). As a journalist, he had what journalism historian Frank Luther Mott has called "a lively news sense for the unusual and interesting" (28). He had a particular knack for finding and reporting what modern journalists sometimes call "brights"--quirky stories intended to catch the public's interest: brights. In article that appeared on February 1, 1729, he wrote of a husband who tried to decapitate a stonecutter he found "Napping" with his wife, ending the article with the observation that "some People admire, that when the Person offended had so fair and suitable an Opportunity, it did not enter into his Head to turn St-n-c-tt-r himself" (177). On October 16 of the same year, the Gazette reported: "And sometime last Week, we are informed, that one Piles a Fidler, with his Wife, were overset in a Canoo near Newtown Creek. The good Man, 'tis said, prudently secur'd his Fiddle, and let his Wife go to the Bottom" (Writings 137). With its brevity and snappy punch line, this latter item has the ring of an anecdote shared in a tavern--or a printing office. In "'Scandal, like other Virtues, is in part is own Reward': Franklin Working the Crime Beat," Ronald A. Bosco in fact writes that Franklin may have mined town talk for his local coverage (82). There is another word for some of the "unusual and interesting" material that appeared in Franklin's paper: sensationalism. In its coverage of sex and violence, the Pennsylvania Gazette may have appealed to readers on other levels. Arguing that "Franklin's purpose in printing these stories was more than simple entertainment or comic relief" (83), Bosco points to a number of ways in which Franklin satisfied various readers' desires and demands, including "petty prejudices" and "desires for printed lust, gore, or intrigue" (84). He goes on: "For readers who delight in blood and gore and know that 'fact is stranger than fiction,' there is the story of the hapless butcher who in a dream mistakes his daughter for a calf and slaughters her" (84). Even Franklin's style subtly engages readers, as Bosco explains, "Through bland reportage he delegates to his readers responsibility for judging the accuracy and plausibility of his reportage and gives them the opportunity to hide from their own villainy by observing that of others" (84). Franklin, furthermore, had an extraordinary ability to write clear, concise descriptions of news events instead of the digressive, even sprawling stories one might find in contemporary papers. Take, for example, this lead from an article on counterfeiting: Last Monday se'nnight in the Evening, three Men went into the Indian Prince Tavern, and having call'd for some Liquor, one of them offer'd a new Twenty Shilling Bill to be chang'd for the Reckoning; Mr. R. Brockden, Master of the House, suspecting it to be a Counterfeit, went with it immediately to A. Hamilton, Esq; (under Pretence of going out to get Change) who caused them presently to be apprehended. (Writings 203-204). In other straight news stories, notably "The Trial and Reprieve of Prouse and Mitchel," Franklin demonstrated the same crisp style. Like Mark Twain, Ernest Hemingway, and other literary journalists who would follow him, Franklin was more than merely a belles lettrist who also happened to write for newspapers. In his biography, Wright notes: "Journalism was, in Franklin's day, the career before all others that offered opportunity to enterprise and imagination" (18). For Franklin, a man of means, printing and journalism were the means to achieve his Enlightenment philosophy of human progress through human initiative. Indeed, Franklin's work as a journalist probably helped him to realize the possibilities of language as a vehicle for change. In addition to printing the standard announcements of ship arrivals and legislative matters, he often stepped out of his role as mere news-gatherer to that of a teacher or parent giving advice designed to help readers improve their lives. Indeed, Norman Grabo, author of "The Journalist as Man of Letters," argues that a central force behind Franklin's journalism was "a sense of improving individuals by improving society" (35). In a November 19, 1730, item on truth in retail, for example, Franklin sets out a lesson for merchants, arguing that successful shopkeepers "raise considerable Estates," while dishonest ones go bankrupt. "The former's Character," Franklin explains, "raises a Credit which supplies the Want of Fortune, and their fair Dealing, brings them Custom; whereas none will return to buy of him, by whom he has been once defrauded" (159). Similarly, as Robert D. Arner points out in "Politics and Temperance in Boston and Philadelphia: Benjamin Franklin's Journalistic Writings on Drinking and Drunkenness," Franklin passed moralistic lessons about the dangers of drink in articles such as "Death of a Drunk" and "On Drunkenness." Writing on Franklin's temperance pieces as a whole, Arner writes: "Like Franklin's writings on other subjects, they demonstrate a deep and abiding belief in the power of the press to educate the public on important topical issues, often employing humor but sometimes also resorting to sensationalism in order to make their messages more explicit and dramatic" (52). The second half of Arner's analysis may contain the key to Franklin's success in this touchy area of didactic journalism. As Grabo notes, Franklin's efforts at improving his readers was really part of a larger journalistic ethic of his time. Sam Kneeland, Franklin's own brother James, and others among Franklin's contemporaries, Grabo writes, believed that "the function of the journalist is to improve and educate readers by widening individual views, by expanding their vision, and inevitably by getting away from narrow self-interest" (35). The efforts of some of these other journalists were not as successful as Franklin's, however, at least partly because they lacked Franklin's skills of delivery. As Grabo notes, for instance, Samuel Nevil's New American Magazine "covered" the French and Indian War by first running something called "History of North America," a serial which ran for months and eventually exhausted the patience of some readers (35). Franklin, on the other hand, managed to pass out his fatherly advice in a relatively painless way. He formed his version of the "sugar-covered pill" partly by borrowing a device perfected by Puritan writers. In "Death of a Drunk," he uses an incident to teach a lesson--a method Arner likens to that of Samuel Sewall: "This movement from particular fact to abstract and universal significance broadly parallels the moral structure of Puritan meditative practice and illustrates how deeply Franklin's habits of mind were rooted in the religion of his youth" (61). Even the Franklin's sensational reporting may have had a didactic bent. Boscot writes: As readers of Poor Richard's wisdom, satiric epistles by the 'Busy-Body' (1728/9) and Alice Addertongue, and grand hoaxes such as 'The Speech of Miss Polly Baker' (1747) know, Franklin routinely traced the failure of social institutions and human relationships to, among other causes, the pride, laziness, ignorance, cupidity, and sexual depravity of the principals involved. In his evaluative writing on crime and deviance the plays on the prevalence of such typical human vice and folly to ridicule institutions and, by virtue of their prevalence, to underscore the role of human agency in perpetuation of criminal and deviant behavior" (86). Bosco goes on to explain that Franklin sometimes "asserted the goodness of the human race" by referring to acts of kindness and generosity in these accounts (88). Citing Franklin's account of a rape and murder, Bosco writes that "Franklin offers readers an unmistakable lesson: if they are willing to answer brutality and vice with good works and virtuous actions that have their origin in the better side of human nature, people have the capacity to offset the effects and check the continuance of criminal and deviant behavior" (88). In a vast amount of this journalistic writing, then, Franklin shows a belief in the power of the printed word as a means to human perfectibility. Franklin would continue this trend in much of what scholars consider his literary output. His autobiography, for example, is nothing less than a self-help manual consciously constructed to help the audience make friends, earn and save money, and even achieve "moral Perfection." Virtually all of Poor Richard's maxims offer guidance for self-improvement. This literature grew out of Franklin's experience as a journalist, where he learned that words could make a difference. Works Cited
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