Syllabus

 

Investigative Journalism

 

Dr. Anthony Curtis    Spring 2006

JRN-460 – TR  12:30–1:45 p.m.  – Old Main 238

Department of Mass Communications    University of North Carolina at Pembroke

 

Welcome!

 

Welcome to investigative journalism where we explore the watchdog role of journalists in American society.  A crucial duty of journalists is to serve the public interest by acting as a watchdog on government, business, education, health, environment, safety and other institutions. That duty is particularly important where agencies and institutions restrict the flow of information.

(Investigative Reporters and Editors Inc.)

 

The tradition of investigative reporters, who uncover facts and write articles that expose waste, wrongdoing, mismanagement, fraud, conflict of interest and abuse of authority, and promote change and reform, has a long and proud history that stands alongside more conventional journalistic practices. In this course, we will examine the tradition by learning the reporting techniques that allow stories to be told and by understanding the societal factors that shape their content and impact.

(Investigative Reporters and Editors Inc.)

 

Course description:

 

Practical experience in researching and writing nonfiction articles suitable for publication. Prerequisite: JRN 340 and MCM 436. This is the capstone experience for seniors in Journalism.

 

Investigative Journalism

 

"The reporting, through one's own initiative and work product, of matters of importance to readers, viewers or listeners. In many cases, the subjects of the reporting wish the matters under scrutiny to remain undisclosed."

Houston et al., p. viii

 

Course goals:

 

This capstone experience for journalism students is an advanced course in tools and techniques of contemporary in-depth reporting.

It is a hands-on course reflecting the values and experiences of the contemporary professional newsroom. You will be exposed to sophisticated investigation techniques and you will practice working both as an individual reporter and as part of a newsgathering team.

 

This course emphasizes:

 

 

Course outcomes:

 

This course is intended to be extremely practical, while at the same time causing you to think deeply about the stories you write and why you write them.

 

This practical course will show you how to do investigative and in-depth reporting, including how to:

 

After successfully completing this course, you should be capable of producing in-depth journalism stories.

 


 

Class format:

 

The course will combine class sessions with extensive field experience. Class sessions will include lectures and discussions of the journalistic, legal and social aspects of investigative journalism. The experiences will involve investigative reporting by individual students and by teams. Whenever possible, team meetings will be held during regular class hours.

 

Investigative Journalism is digging "beneath the surface so we can help readers understand what's going on in an increasingly complex world."

Gene Roberts, editor at

The Philadelphia Inquirer and

The New York Times

Houston et al., p. viii

 

This course will show you how to do in-depth investigative reporting. You will be immersed in the theory and practice of watchdog journalism as applied to a variety of institutions in order to:

 

We will use the advanced reporting methods of collecting evidence – public records, database searches, interviewing and other techniques – to investigate real-world concerns.

 

 

Texts:

 

Houston, Brant, and Len Bruzzese, Steve Weinberg. The Investigative Reporter's Handbook – A Guide to Documents, Databases and Techniques. Boston: Bedford/St. Martin's, 2002.

 

Goldstein, Norm, Ed. The AP Stylebook and Briefing on Media Law (With Internet Guide and Glossary). New York: The Associated Press, 2005.

 

Supplementary texts:

 

You may find these optional, non-required books to be useful resources when working on assignments:

 

Interviewing:

 

Stewart, Charles J. and William B. Cash Jr. Interviewing Principles and Practices. 10th Ed. New York: McGraw-Hill, 2003.

 

Survey Research:

 

Alreck, Pamela L. and Robert B. Settle. The Survey Research Handbook. 3rd Ed. Chicago: McGraw-Hill/Irwin, 2004.

 

Writing Feature Stories:

 

Friedlander, Edward Jay and John Lee. Feature Writing for Newspapers and Magazines. 5th Ed. New York: Longman, 2004.

 

Photojournalism:

 

Horton, Brian. Associated Press Guide to Photojournalism - 2nd Ed. New York: McGraw-Hill, 2001.

 

Online Journalism:

 

Craig, Richard. Online Journalism: Reporting, Writing, and Editing for New Media. Belmont, CA: Wadsworth-Thomson Learning, 2005.

 

Foust, James C. Principles and Practices of News for the Web. Scottsdale, AZ: Holcomb Hathaway, Publishers, 2005.

 


Research Methods:

 

Leedy, Paul D. Practical Research: Planning and Design. 8th Ed.

Upper Saddle River, NJ: Merrill/Prentice Hall, 2005.

 

Creswell, John W. Research Design: Qualitative & Quantitative and

Mixed Methods Approaches. 2nd ed. Thousand Oaks, CA: Sage

Publications, 2002.

 

Hult, Christine A. Research and Writing Across the Curriculum. 3rd

Ed. Needham Heights, MA: Allyn & Bacon Longman, 2006.

 

Lester, James D. and James D. Lester Jr. Writing Research Papers:

A Complete Guide. 11th Ed. Needham Heights, MA: Allyn & Bacon

Longman, 2004.

 

Taylor, George R. Integrating Quantitative and Qualitative Methods in Research. Lanham, MD:University Press of America, 2000.

 

Kennedy, Shirley Duglin. Best Bet Internet: Reference and Research When You Don't Have Time to Mess Around. Chicago: American Library Association Editions, 1998.

 

Literature Review:

 

Hart, Chris. Doing a Literature Review: Releasing the Social Science Research Imagination. Thousand Oaks, CA: Sage Publications, 1999.

 

Fink, Arlene. Conducting Research Literature Reviews: From Paper to the Internet. 2nd Ed. Thousand Oaks, CA: Sage Publications, 2004.

 

Historiography:

 

Barzun, Jacques. The Modern Researcher. Belmont, CA: Wadsworth Publishing, 2003.

 

Investigative Journalism

 

"The reporter took the initiative, pulled together information from documents and human sources and eventually revealed a practice that affects everybody, directly or indirecty..."

Houston et al., p. viii

 

 

Personal preparation for writing:

 

Not only in this course, but also during your academic degree program and in your professional career later, you will find it essential to stay up-to-date on current events, which change constantly. To remain up-to-date, you should read a major newspaper every day in addition to watching broadcast or cable news operations and websites. For instance, you might choose to read the Charlotte Observer, Raleigh News & Observer, Atlanta Journal-Constitution, Washington Post, New York Times, Wall Street Journal or USA Today. You also should read a weekly newsmagazine such as Time or Newsweek. All of these print media have affiliated websites.

 

As a media professional, how will you know and understand trends in newsgathering and dissemination? To stay on top of your field, you should read the professional weekly business journals such as Editor & Publisher (newspapers), Folio (magazines), Broadcasting & Cable (radio and television), or Advertising Age (advertising). These publications are in the UNCP library and all have affiliated websites.

 

Professor's office hours for assistance with this course:

 

Monday and Wednesday: 10-11:30 a.m. and 1:30-2:30 p.m.

In addition, Dr. Curtis frequently can be found in his office at other times during weekdays.

Office: 247 Old Main                      phone: 521-6616                     email: acurtis@uncp.edu

 

Course Grading and Guidelines

 

Evaluation of writing:

 

Generally, there will be no right or wrong responses to the assignments. Rather, your work will be evaluated subjectively by the professor, who will measure all writing on three concurrent spectra – content, organization and mechanics. These parallel tracks range from weak to strong.

 

Articles and stories you submit must reach the assigned length and be typewritten, double-spaced, on one side of paper. The AP Stylebook must be followed. Appropriate professional journalism editing marks, as shown in The AP Stylebook, must be used. Be sure your name is on your work along with page headers and footers as approved by the instructor.

 

Evaluation of your written work will be based on appropriateness of content, clarity of purpose, clear and concise writing style, efficient use of words, grammar, spelling, mechanics, organization, preparation, proper use of appropriate journalistic style, and attention to deadline.

 

Attention to deadlines is extremely important. Hand in your stories by the beginning of class on the assigned day. Late assignments will be penalized 10 percent for each class day late. That means one letter grade deducted for each day late. Articles will not be accepted one week after the due date.

 

Attendance:

 

Attendance is very important. Classroom communication is a process of sharing. Your observations, insights and analyses are valuable to the whole class. Your participation will be reflected in a concrete way in your semester grade.

 

The Department of Mass Communications has a mandatory attendance policy. This course is an important element of your preparation for a career in professional journalism, where you will be expected to understand and meet deadlines.

 

Class attendance will be checked in every class period (you will sign the roster sheet) and will be used in determining the course grade. Unexcused absences will affect your grade adversely. For instance, attendance records will be used to determine the grade of any student who is on the borderline between two grades. If such a student has 1 or no unexcused absences, he or she may be eligible receive the higher of the two grades, assuming all other circumstances are appropriate.

¤       Students with 4-5 unexcused absences will be penalized one letter grade.

¤       Students with 6-7 unexcused absences will be penalized two letter grades.

¤       Students with 8 or more unexcused absences will receive the grade of F for the semester.

 

There may be no option of doing an extra assignment to reduce or remove a penalty.

 

Athletes must discuss their game schedule for the full season with the professor at the beginning of the semester. If they plan to miss class for a game, they must notify the professor again before each absence to receive an excused absence. Athletes will not be excused from a class that ends more than hour before the bus leaves.

 

Students who plan to miss class for such activities as work, job interviews, job fairs, weddings, vacations, completing work for other courses, etc., must use their unexcused-absence cuts for those purposes. If you have problems attending class, you are encouraged to change your arrangements elsewhere that will enable you to participate fully here.

 

The following are excusable absences:

¤       Illness or serious injury, with a note from a doctor

¤       death in the immediate family, with a newspaper obituary clipping

¤       required appearance in a court of law, with a note from the clerk of courts

¤       catastrophic emergency, with appropriate documentation or official police report

¤       representing the college in an official extracurricular activity, with a note from the faculty or administrative adviser of the activity, or head coach, and the prior approval of the professor of this course because some extracurricular activities do not justify an excused absence.

 

Late arrival in class:

 

Students who arrive late to a class session should check with the professor at the end of that class to be certain that their attendance has been recorded. Students who arrive excessively late to a class period, or who leave class early, will receive either partial credit or no credit for their attendance that day. Students who are continually late to class will begin receiving no credit for their attendance on days they are late.

 

Late assignments:

 

Late assignments or makeup work generally is not accepted if there was no prior arrangement with your professor.  You may not be permitted to make up any missing work unless it is for an excused absence as listed above. The professor may refuse to revisit material a student missed due to an absence. No late work will be accepted without prior arrangements with your professor who retains the discretion of whether to accept any of such work.

 

Grading Considerations:

 

Grades for each of your assignments will be based upon a professional standard. The professor will evaluate your work according to its suitability for publication in a newspaper or magazine or on a news website whose standards correspond to the industry norm.

 

Your semester grade will be based upon consistent effort through the semester. Meeting deadlines, growth, and understanding of the subject and techniques are of the utmost importance in this course.

 

Evaluation criteria for letter grades:

 

¤       Excellent or A
Professional quality work. An insightful, relevant, newsworthy subject. Story involves the reader in its drama, humor, ethos or pathos. Technique is flawless with perfect content, organization and mechanics. Information supporting the story is complete and accurate. Wording is precise. The writing explores the story at different levels and does not simply make the same point from different perspectives. Publishable and distinguished.

 

¤       Good or B
Competent, functional story-telling. Journeyman journalism. Publishable. Clean copy that makes a significant point efficiently in support of the story. Appropriate expression of active, believable, moments that reveal a key person, place or event. Details are thorough and accurate. Writing mechanics and organizational technique are of a high order. The story is balanced.

 

¤       Acceptable or C
Average, run-of-the-mill story-telling. Probably publishable, but undistinguished. Properly written, but the content is average quality that may or may not be publishable. The article or story offers little insight into why the subject is newsworthy. Content is adequate to identify the subject, but poorly organized. Mechanics are good.

 

¤       Poor or D
Unpublishable work. A combination of flaws in conceptualizing, researching, organizing and writing render the work unsatisfactory. This is work, which with better planning and extra effort, might have been publishable.

 

¤       Unacceptable or F
Not publishable. Decidedly unprofessional. Weaknesses in journalistic thinking, feature writing technique, and/or professionalism have resulted in a failure on this assignment. Inaccuracies and other content errors, poor mechanics, unpublishable organization, and/or missed deadlines have reduced the assignment to failure.

 

Final grade:

 

You will be graded on these work elements this semester – an individual backgrounder, a major investigative journalism work, and attendance and participation.

 

Your final semester grade will be based on the professor's subjective evaluation of all of the work you complete and submit during the course. Attendance and enthusiastic participation form a significant portion of the semester grade.

 

How to succeed?

 

Very important considerations include:

¤       perfection of written materials

¤       punctuality on assignments

¤       participation in class activities

¤       attendance at class meetings

 

The grading scale used for this course is:

100-90%=A to A-; 89-80%=B+ to B-; 79-70%=C+ to C-; 69-60%=D+ to D-; 59% and below=F.

 

Student  academic honor code:

 

You have the responsibility to know and observe the UNCP Academic Honor Code, which forbids cheating, plagiarism, abuse of academic materials, fabrication, falsification of information, and complicity in academic dishonesty.

 

Special assistance:

 

Please see the instructor as soon as possible if you have questions or difficulty. Any student with a documented disability needing academic adjustments is requested to speak directly to Disability Support Services and the instructor, as early in the semester as possible, preferably within the first week.  All discussions will remain confidential.  Please contact Mary Helen Walker, Disability Support Services, DF Lowry building,  521-6695.

 

Course Schedule

 

Week 1:

Week 5:

Week 9:

Week 13:

Tuesday, 1/10

Tuesday, 2/7

Tuesday, 3/14

Tuesday, 4/11

Thursday, 1/12

Thursday, 2/9

Thursday, 3/16

Thursday, 4/13

 

 

 

 

Week 2:

Week 6:

Week 10:

Week 14:

Tuesday, 1/17

Tuesday, 2/14

Tuesday, 3/21

Tuesday, 4/18

Thursday, 1/19

Thursday, 2/16

Thursday, 3/23

Thursday, 4/20

 

 

 

 

Week 3:

Week 7:

Week 11:

Week 15:

Tuesday, 1/24

Tuesday, 2/21

Tuesday, 3/28

Tuesday, 4/25

Thursday, 1/26

Thursday, 2/23

Thursday, 3/30

Thursday, 4/27

 

 

 

 

Week 4:

Week 8:

Week 12:

Exam Week:

Tuesday, 1/31

Tuesday, 2/28

Tuesday, 4/4

Tuesday, 5/2

Thursday, 2/2

Thursday, 3/2

Thursday, 4/6

 

 

 

 

 

 

Spring Break March 6-11

 

 

Writing assignments:

 

Backgrounding piece. You will choose a public figure, with approval of the professor, and background that person using techniques and documents discussed in class and in the textbook. The project will have two parts – a two-page outline document explaining why the person is important and detailing your strategy for finding ingion, a written 5-10 page carefully organized report or story memo that reflects the results of that strategy, and finally a feature article on the subject. The story memo will include exactly what information you found, how you found the information, specifically where you found it (e.g. website locations, court documents, land records, names of human sources, etc.), any dead-ends you encountered, and a strategy for discovering more about the person. Your final story should describe fully, in compelling literary and hard-hitting story form, the results of your investigation and why those results are important to your readers. These criteria include techniques, sources, thoroughness, resourcefulness and effective writing of the investigative profile.

 

Major investigative piece. As Gene Roberts, editor at The Philadelphia Inquirer and The New York Times,

might suggest, dig beneath the surface of a subject to help readers understand what's going on in our increasingly complex world. Before you begin the project, the topic must be selected after your careful consideration and approved by the professor. We will discuss each project thoroughly in class before, during and afterward. Remember, this is the journalism capstone course. Only your very best work should be submitted.