Born 1946 Newport,
OR
Education
1969 B.A.
Secondary Art Education—Western Oregon State College, Monmouth, Oregon
Tribal
Affiliation Wiyot, Mad River Band, Northern California
Solo
Exhibitions
2011-2012
DogÕs Journey, The A.D.
Gallery, University of North Carolina, Pembroke, NC (August-October), Missoula
Art
Museum, Missoula, MT (November 2011 – January 2012)
CoyoteÕs Road, Froelick Gallery,
Portland, OR (July/August)
Stonington
Gallery, Seattle, WA (October)
2009 Snake Dance, Froelick Gallery, Portland,
OR
Drawn In, Enso, Half Moon Bay, CA
Davis
& Cline Gallery, Ashland, OR
2008 Classic Fall, NaŸ-Haus, Houston, TX
Perseverance, Clatsop Community College
Monotypes from Tokyo, LMContemporary,
Jackson, WY
2007 From the Shinpukuji Portfolio, Froelick
Gallery, Portland, OR
Drawings, Azabu Kasumicho, Tokyo, Japan & Oguni-Geijutsumura-Kaikan,
Yamanota, Niigata-Ken, Japan
2006 Tears and Rain: One ArtistÕs
View from Sea Level, Oregon Historical Society, Portland, OR
Standing with the Humblers, Froelick Gallery, Portland, OR
Davis and Cline
Gallery, Ashland, OR
Rick Bartow & Royal Nebeker, The Art Center Gallery; Clatsop
Community College, Astoria, OR
Printworks: A collaborative exhibition with Master Printmaker Seiichi
Hiroshima, Bush Barn Art Center, Salem, OR
2005 El Hoja de la Machete, Instituto
de Artes Gr‡phicas de Oaxaca, Oaxaca, Mexico
Manuel Garc’a Arte
Contempor‡neo, Oaxaca, Mexico
2004 BearÕs Journey, The High
Desert Museum, Bend, OR
Chopping Wood,Carrying
Water, Froelick Gallery, Portland, OR
My Eye,
Northwest Museum of Arts and Culture, Spokane, WA
Davis & Cline
Gallery, Ashland, OR
Work from Moondog Studio West, South Beach, OR, Yanagisawa Gallery,
Saitama City, Japan
Etchings and
Monotypes, Froelick Gallery, Portland, OR
Drawings and
Sculpture, Umpuqua Community College Gallery, Roseburg, OR
2003 Continuum—12 Artists: Rick Bartow, Smithsonian
Institution: National Museum of the American Indian—George
Gustav
Heye Center, New York, NY, Curator: Truman Lowe
Rick Bartow: Through
Many Eyes, Interstate Firehouse
Cultural Center, Portland, OR
Sunbird Gallery, Bend, OR (October)
Rick Bartow:
Discovery and Fusion, Maryhill
Museum of Art—Queen Marie Gallery, Maryhill, WA
Works on Paper,
Stonington Gallery, Seattle, WA
2002 Love, Life, Fear, Surrender, Froelick Gallery, Portland, OR
Rick Bartow /
Espiritus Despiertos, Museo Casa Diego Rivera, Guanajuato, Mexico, in
conjunction with Festival
Internacional
Cervantino XXX Aniversario—Artes Visuales (catalogue)
Sweat and Steam,
Oregon State University—Fairbanks Gallery, Corvallis, OR
LewAllen
Contemporary, Santa Fe, NM
Work from Moon
and Dog Press, South Beach, OR, Yanagisawa Gallery, Saitama City, Japan,
concurrent exhibition at
Azabu
Kasumicho Gallery, Tokyo, Japan
Printworks
/ 1988-2001 Intaglio, Lithography, Monotype, Froelick Gallery, Portland, OR
Envoys,
Sheehan Gallery, Whitman College, Walla Walla, WA (catalogue)
My
Eye, Hallie Ford Museum of
Art—Willamette University, Salem, OR, traveling to: Museum of Northwest
Art,
LaConner, WA; Snite Museum of
Art—University of Notre Dame, IN; (catalogue) traveling through 2004
2001 12th Street Series: Rick Bartow, Tacoma Art
Museum, Tacoma, WA
Into the Center:
Six Native American Artists Exhibit Series of Solo Shows, Western Michigan
University,
Kalamazoo,
MI (catalogue)
Rick Bartow:
August 2001, LewAllan Contemporary, Santa Fe, NM
2000 Scratch, Froelick Adelhart
Gallery, Portland, OR
Upriver/Downriver—Pets/Puls,
Stonington Gallery, Seattle, WA
Stories, Schneider Museum of Art—Southern Oregon University,
Ashland, OR
Self-Portraits:
1989-1999, Froelick Adelhart Gallery,
Portland, OR
Solo Exhibitions continued
1999 Rick
Bartow, Fisher Gallery, Auckland, New Zealand
1998 Dance Harder! Froelick Adelhart Gallery,
Portland, OR (catalogue)
1997 Rick
Bartow Drawings: Flowers and Animals,
Yanagisawa Gallery, Saitama City, Japan
Portraits,
Azabu Kasumicho, Tokyo, Japan
Drawings,
Oguni-Geijutsumura-Kaikan, Yamanota, Niigata-Ken, Japan
1997 Dirt
and Bone, Froelick Adelhart Gallery,
Portland, OR
Sensing the Root, Derek Simkins Gallery
of Tribal Art, Vancouver, British Columbia
1996 Salamander
Gallery—The Arts Centre, Christchurch, New Zealand
Paintings
and Sculpture by Rick Bartow, California State University—Robert Else
Gallery, Sacramento, CA
New Paintings and Sculpture, Derek
Simkins Gallery of Tribal Art, Vancouver, British Columbia
Retrospective,
Oregon Coast Council for the Arts—New
Sculpture,
the gallery, Newport, OR
1995 Newport
Visual Arts Center, Newport, OR
Four Winds, Froelick Adelhart Gallery,
Portland, OR
Maude
Kerns Art Center, Eugene, OR
1994 Questions of Belief, Yanagisawa Gallery,
Urawa, Japan
The Oar of The Boat, Peiper-Riegraf
Gallery, Frankfurt, Germany
Circles and Shadows, Francine Seders
Gallery, Seattle, WA
Four
Songs to Sing, Derek Simkins Gallery of
Tribal Art, Vancouver, British Columbia
My
Eye, Your Eye, Jamison/Thomas Gallery, Portland, OR
1993 Truth Abandoned: An Exhibition of New
Paperworks and Sculpture, Derek Simkins Gallery of Tribal Art,
Vancouver,
British Columbia (catalogue)
Visiting
Artist Series: Rick Bartow, Clatsop Community College Art Center Gallery,
Astoria, OR
Art in the Governor's Office, State
Capitol, Salem, OR
1992 Wings and Sweat, Jamison/Thomas Gallery,
Portland, OR (catalogue)
Drawings, Paintings, Masks, Sun Valley
Center Gallery, Sun Valley, ID
1991 Stories, Jamison/Thomas Gallery,
Portland, OR
Works
on Paper, Francine Seders Gallery, Seattle, WA
1990 Drawings and Dance Masks, Rutgers
Barclay Gallery, Santa Fe, NM
Recent
Work, Jamison/Thomas Gallery, Portland, OR
Drawings, Chase Gallery—Spokane
City Hall, Spokane, WA
Recent Pastel Drawings, Oregon State
University—Fairbanks Gallery, Corvallis, OR
1989 Recent Drawings and Sculpture,
Jamison/Thomas Gallery, New York, NY
Recent Work, Salishan Lodge, Gleneden
Beach, OR
Drawings, Susan Cummins Gallery, Mill
Valley, CA
1988 Jamison/Thomas
Gallery, New York, NY
Works
on Paper, Jamison/Thomas Gallery,
Portland, OR
1987 Jamison/Thomas
Gallery, New York, NY
Man In A Box, Jamison/Thomas Gallery,
Portland, OR
R.E.
Bartow: Recent Works, American Indian Contemporary Arts Gallery, San
Francisco, CA
1986 Rick
Bartow, Jamison/Thomas Gallery, Portland, OR
Sacred
Circle Art Gallery of American Indian Art, Seattle, WA
1985 Jamison/Thomas
Gallery, Portland, OR
Masks, Marianne Partlow Gallery,
Olympia, WA
1981 Nye and
Company Gallery, Newport, OR
Group
Exhibitions
Vantage
Point,
National Museum of the American Indian, Smithsonian, Washington DC
Critical Messages, Hallie Ford Museum of
Art and Western Gallery, OR
Infinity of Nations, George Gustav Heye
Center, NMAI, New York, NY
Vantage Point, Smithsonian Institute, National Museum of the American Indian,
Washington, DC
Transcending
Tradition, Mesa Arts Center, Mesa, AZ
Collected
Voices, Chiaroscuro Contemporary, Santa Fe, NM
Assembled: Narratives in Wood and Metal,
Bush Barn Art Center, Salem Art Association, Salem, OR
The Dog Show, Sisters Art Works,
Sisters, OR
Group
Exhibitions continued
2009 Into The Now, From Then, Chiaroscuro
Contemporary, Santa Fe, NM
La Pena & Bartow, B. Sakata Garo,
Sacramento, CA
2009 Art About
Agriculture exhibit, Oregon State University, LaSells Stewart Center Giustina
Art Gallery, Corvallis, OR
2008 Without Limits, Chiaroscuro
Contemporary, Santa Fe, NM
Transformation
and Change on the Northwest Coast, Stonington
Gallery, Seattle, WA
Art
Has Gone To The Dogs!, Domont
Studio Gallery, Indianapolis, IN
2008 Sing Me Your Story, Dance Me Home, Grace
Hudson Museum, Ukiah, CA
2007 CrowÕs
Shadow Press, Print Arts Northwest, Portland, OR
Sing Me Your Story, Dance Me Home, California Exhibition Resources
Alliance, curated by Theresa Harlan,
traveling
to: Maidu Interpretive Center, Roseville CA;
2006 Bestiary, Froelick Gallery, Portland, OR
About Face: Self Portraits by
Native American, First Nations, and Inuit Artists, Nov 13, 2005 – Apr
23, 2006, Wheelwright
Museum of the American Indian, Santa Fe, NM
2005 drawing(s) 40+ artists/200 works: A 25th anniversary
exhibition, Terri Hopkins, curator, Art Gym, Marylhurst University,
Marylhurst, OR
2005 Changing Hands 2: Art Without Reservation, Museum of Arts & Design, New York, NY
New Tradition, Archer Gallery, Clark College, Vancouver, WA
Collaborations from the Elizabeth Tapper Print Workshop, Museum of Northwest
Art, La Conner, WA
Drawings,
Jacobs Gallery, Hult Center,
Eugene, OR
Native American Contemporary Art, Sept 25-Dec 30, Art at the JCC,
Santa Barbara, CA
2004 Recent Works, Prichard
Gallery, University of Idaho, Moscow
artOBJECTS: PDX, Portland Airport, Regional Arts and Culture
Council, Portland, OR
Images of Identity, Cal. State
Sacremento, curated by Frank La Pena & Terri Castaneda
Clown
Show, Froelick Gallery, Portland,
OR.
Seattle Perspective: Selections from the
City of Seattle % for Art Portable Works Collection, Washington State
Convention and Trade
Center, Seattle, WA
2003 Native
Inspiration: 16 Years of Indian Market, LewAllen Contemporary, Santa Fe, NM
(August)
Native
Voices on the Wind, Myhelan Cultural Arts Center, Long Valley, NJ
University
of North Carolina Gallery—Chapel Hill Gallery, Chapel Hill, NC
Art
About Agriculture, Oregon State University—Giustina Gallery,
Corvallis, OR, Jurors: Harrison
Branch,
Tallmadge Doyle, John Olbrantz, (two awards) travelling to: Art Adventure,
Madras, OR
Grants
Pass Museum of Art, Grants Pass, OR; and Oregon Garden—Grand Hall,
Silverton, OR
2002 Cowboys,
Indians & the Big Picture, McMullen Museum of Art—Boston College,
Boston, MA
Northwest
Documenta I, Salem Art Association—Bush Barn, Salem, OR
Regional
Arts and Culture Council, Portland, OR
2001 After the Storm: The Eiteljorg
Fellowship for Native American Fine Art, Eiteljorg Museum of American
Indian and
Western
Art, Indianapolis, IN (catalogue)
Crossing
Boundaries: 2-D Into 3-D, City of Portland, Oregon—Office of the
Mayor, Curators: Lois
Allan
and Sarah Ellen Taylor
The Gathering of Indigenous Visual Artists, Evergreen IV Gallery, Olympia, WA
25th Anniversary
Exhibit: Head West! Rockwell
Museum of Western Art, Corning, NY (catalogue)
Northwest
Visions: Recent Acquisitions, Key Tower Building Gallery, Seattle, WA
Art
About Art, Clark College—Archer Gallery, Vancouver, WA, Curator:
Marjorie Hirsch
Winter Group Exhibit, Froelick Gallery,
Portland, OR
2000 Visiting Spirits: The Works of Rick Bartow and
Lillian Pitt, Hansen Howard Gallery, Ashland, OR
Indian
Time: Art in the New Millennium, Institute of American Indian Arts Museum, Santa Fe, NM,
Curator:
Bently Spang (catalogue)
Art of the Spirit, Society for Contemporary
Craft, Pittsburgh, PA
Seven
Directions 2000: An Exhibit and Market of Contemporary Native American Art, Museum of Fine Arts—
University
of Montana, Missoula, Curator: Christine Pierce
25th
Annual National Invitational Drawing Exhibition, Emporia State University—Eppink Art
Gallery, KS (catalogue)
intervals, frames, and accelerations,
Froelick Adelhart Gallery, Portland, Curator: Sarah Ellen Taylor
The
Mortal and the Immortal,
Salem Art Association—Bush Barn Art Center, Salem, OR, Curator: Lillian
Pitt
Winter Group Show, Froelick Adelhart
Gallery, Portland, OR
1999 Rick Bartow/Lillian Pitt, Sunbird
Gallery and Frame Shop, Bend, OR
Group
Exhibitions continued
1999 Begegnungen:
Indianische Kunstler aus Nordamerican—Indian Reality Today: Contemporary
Indian Art
of
North America, Westfalisches Landesmuseum
fur Naturkunde, Munster, Germany Curator: Manuela Well-
Off-Man
(catalogue)
Beauty in the Beast, Maryhill Museum of
Art, Goldendale, WA, Curator: Lee Musgrave
Self-Portrait Exhibition, Corvallis Arts
Center, Corvallis, OR
Plant
Forms, Froelick Adelhart Gallery,
Portland, OR
1998 Betty Bowen Award: Twentieth Anniversary Exhibition, Washington
State Convention Center, Seattle, WA,
Curators: Vicki Halper and Chase Rynd (catalogue)
Celebrating
the Season: Vessels for the Feast, Stonington Gallery, Seattle, WA
Northwest Contemporaries: Self-Examination,
Vita Gallery, Portland, OR
Paper, Froelick Adelhart Gallery,
Portland, OR
Cultural
Perspectives: Rick Bartow, Dan Chen, Robert Colescott, Baba Wague Diakite,
Hector Hernandez,
Oregon
State University—Memorial Union, Corvallis, OR
Transformations, Stonington Gallery,
Seattle, WA
Head + Heart + Hands, Kentucky Art and
Craft Gallery, Louisville, KY (catalogue) traveling to:
American
Craft Museum, New York, NY
American
Folk Art Museum, Orlando, FL
The
DeLand Museum of Art, DeLand, FL
50th
Birmingham International Festival, AL
Mennello Museum of American
Folk Art, Orlando, FL
Ohio Craft Museum, Columbus,
OH
Yakama Nation Museum, Yakima,
WA
1997 Twentieth Century American Sculpture at the
White House: Honoring Native America, Washington D.C., Curator:
Margaret
Archuleta, Organizer: The Heard Museum, Phoenix, AZ. (catalogue)
Redefining Tradition: A Selection of First
Nation Artists and Their Works, Whatcom Museum, Bellingham, WA,
Curators:
John Olbrantz and Jeanette Mills
Flora & Fauna, Jan Cicero Gallery,
Chicago, IL
Washington
Remembers: A Conference on Life, Loss, and Traditional Rituals of Grief, Washington State History
Museum,
Tacoma, WA
Twentieth
Anniversary Celebration of the Oregon Coast Council for the Arts, Oregon
Coast Council for the Arts,
Newport,
OR
New Art from Native America, Bucknell
University—Center Gallery, Lewisburg, PA, Curator: Johann JK Reusch
(catalogue)
1996 Rick Bartow and Lillian Pitt, Sunbird
Gallery and Frame Shop, Bend, Oregon
I
Stand in the Center of the Good, American Indian Community House Museum, New York, NY, Curator: Joanna
Osburn-Bigfeather
Pacific
Dragons: Contemporary Art by Established and Emerging Artists from Nations of
the Pacific Rim, Uxbridge
Gallery,
Howick, New Zealand, Curator: Aleyn Giles Peterson
Native American Traditions / Contemporary
Responses, Society for Contemporary Crafts, Pittsburgh, PA
An Inaugural Exhibition: Vietnam Reflexes
and Reflections, National Viet Nam Veterans Art Museum, Chicago, IL
In Bloom, The Heathman, Portland, OR, Curator: Elizabeth Leach Gallery
Bound
and Unbound, Alysia Duckler Gallery,
Portland, OR
Seen and Unforeseen: The Path of AIDS,
Salem Art Association—Bush Barn Art Center, Salem, OR
Native
Streams: An Exhibition of Contemporary Native American Art, Jan Cicero Gallery, Chicago, IL (catalogue)
traveling
to:
De
Pauw University, Greencastle, IN
Holter
Museum of Art, Helena, MT
Indiana
State Univ,—Truman Art Gallery, Terre Haute,IN
South Bend
Regional Art Museum, South Bend, IN
Southern Ohio Museum
and Cultural Center, Portsmouth, OH
1995 Bridges and Boundaries—Brucken und
Abgrenzungen, Zeitgenossische Indianische Kunst, Frankfurt/Bonn,
Germany,
Sponsors: The American Embassy and City of Bonn
Katherine
Ace, Rick Bartow, Brooke Stone, David Wilson, Maude Kerns Art Center,
Eugene, OR
Art with/out Frontiers: Rick Bartow, John Bevin-Ford, Lillian Pitt, University of California Davis—Memorial
Union Art Gallery,
Davis, CA
Northwest
Biennial Competition: The Land, Tacoma Art Museum, Tacoma, WA, Juror: Jaune Quick-to-See Smith
Fifteen Years, Jamison/Thomas Gallery,
Portland, OR
The
Flower Show, Jamison/Thomas Gallery, Portland,
OR
New Western Art, Benton County
Historical Museum, Philomath, OR
1995 Contemporary Totems, Salem Art
Association—Bush Barn Art Center, Salem, OR
Maude
Kerns Art Center, Eugene, OR (four-person exhibition)
1994 Only the Shadow Knows: Revelations from the
Unconscious, Art Access Gallery, Salt Lake City, UT
Earth, Fire, Water, Oregon College of
Arts and Crafts, Portland, OR
Group
Exhibitions continued
1994 Oregon Invitational Drawing Exhibition,
Lane Community College, Eugene, OR
Public
Encounters, Salem Art
Association—Bush Barn Art Center, Salem, OR
Artists Who Are Indian, Denver Art
Museum, Denver, CO, Curator: Bently Spang
New
Work by Gallery Artists, Jamison/Thomas Gallery, Portland, OR
1993 Crosscut: The Oregon Biennial, Portland
Art Museum, Portland, OR, Curators: Kristy Edmunds, John Weber,
Prudence
Roberts and Terry Toedtemeier
Northwest Native American and First Nations
People's Art, Western Washington University—Western Gallery,
Bellingham,
WA
Small Figurative Sculpture, Susan
Cummins Gallery, Mill Valley, CA
Contemporary Icons, Salem Art
Association—Bush Barn Art Center, Salem, OR
A Kindred Spirit: Contemporary Painting,
Prints and Sculpture by Eight Native American Artists, Bedford
Gallery/Regional
Center for the Arts, Walnut Creek, CA
Native America: Reflecting Contemporary
Realities, Craft and Folk Art Museum, Los Angeles, CA, traveling to
American
Indian Contemporary Arts Gallery, San Francisco
Bridge
Center for Contemporary Art, El Paso, TX
Eiteljorg
Museum, Indianapolis, IN
Hunter
Museum of Art, Chattanooga, TN
The
Mills Building, San Francisco, CA
The Museum at Warm Springs,
OR
Moravian College—Payne
Gallery, Bethlehem, PA
Siena Heights College,
Adrian, MI
University of South Dakota,
Vermillion, SD
University of Wisconsin,
Green Bay, WI
1992 Oregon Spotlight '92: Bartow and Boyden,
Coos Art Museum, Coos Bay, OR
Spiritual World of the Native American,
Oguni-Gitjutsumura-Kaikan Art Center, Yamanota Village, Ogunitown,
Japan
(catalogue)
Native Iconography, Salem Art
Association—Bush Barn Art Center, Salem, OR
Transformed Traditions, Santa Rosa
Junior College, Santa Rosa, CA
The Betty Bowen Legacy: Fourteen Years of
Award-Winning Art, Security Pacific Gallery, Seattle, WA (catalogue)
Artists Who Are Indian, Eastern Montana
College, Billings, MT
Spirit
of the West, West One Bank, Curator:
Kristin M Poole, traveling
Multiples
Who We Are: Autobiographies in Art,
State Capitol Rotunda, Olympia, WA (book)
The Corrections Print Project: Prints by 20
Oregon Artists, Maveety Gallery, Salishan, OR
Face of the Soul: An Exhibition of Masks,
1078 Gallery, Chico, CA
Art
of the People, Sunbird Gallery and Frame Design, Bend, OR
1991 A Moveable Feast, Marianne Partlow
Gallery, Olympia, WA
Without Boundaries: Contemporary Native
American Art, Jan Cicero Gallery, Chicago, IL
The
Summuloc Show, traveling
The Submuloc Show/Columbus Wohs,
Sponsor: ATLATL, Phoenix, AZ, Curator: Juane Quick To-See Smith
(catalogue),
traveling to:
American
Indian Contemporary Arts Gallery, San Francisco
Collier
County Museum, Naples, FL
Concordia
College, Moorhead, MN
Fondo
del Sol Visual Arts Center, Washington, DC
Guilford
Native American Art Gallery, Greensboro, NC
The
Heard Museum, Phoenix, AZ
The Minneapolis Institute of
Arts, Minneapolis MN
Sacred Circle Art Gallery,
Seattle, WA
Schneider Museum of
Art—Southern Oregon Univ, Ashland
Spokane Falls Community
College Art Gallery, Spokane, WA
University of Oregon Museum
of Art, Eugene, OR
University of South Dakota
Art Galleries, Vermillion, SD
25th
Anniversary Exhibition,
Francine Seders Gallery, Seattle, WA
Oregon Biennial, Portland Art Museum,
Portland, OR, Curator: Henry Hopkins
Sum of the Parts, Jamison/Thomas
Gallery, New York, NY
The River, Benton County Historical
Society and Museum, Philomath, OR
Earth
Fire Water, Clatsop Community College
Art Center Gallery, Astoria, OR
Lillian
Pitt and Friends, Sunbird Gallery and Frame Design, Bend, OR
Big
Sky Indian Market, Native American Cultural
Institute of Montana, Billings, MT
A Panoply of Masks, Marianne Partlow
Gallery, Olympia, WA
The Sacred Bear, In Two Worlds, Missoula
Art Museum, Missoula Art Museum, MT
Drawings, Joan Robey Gallery, Denver, CO
The
Artist in the Art: Self-Portraits, Bumbershoot—The Seattle Arts Festival, Seattle, WA
Group
Exhibitions continued
2000 Shared Visions: Native American Painters and
Sculptors in the Twentieth Century, The Heard Museum, Phoenix,
AZ
(catalogue) traveling to:
Auckland
Art Gallery, Auckland, New Zealand
Canadian
Museum of Civilization, Hull, Quebec
California
Academy of Science, San Francisco, CA
Denver
Art Museum, Denver, CO
RICK BARTOW resume page 5
Dunedin
Museum of Art and History, Dunedin,
New
Zealand
Eiteljorg
Museum, Indianapolis, IN
Gilcrease
Museum, Tulsa, OK
Hood
Museum—Dartmouth College, NH
Institute
of American Indian Art, Santa Fe, NM
McDougall
Art Gallery, Christchurch, New Zealand
Minnesota
Museum of Art, St. Paul, MN
Museum
of New Mexico, Santa Fe, NM
National
Museum of the American Indian, Washington, DC
Oklahoma
Historical Society, Okalahoma City, OK
Oregon
Art Institute—Portland Art Museum, OR
Philbrook
Art Center, Tulsa, OK
Sargent
Art Gallery, Whanganui, New Zealand
School
of American Research, Santa Fe, NM
Thomas
Gilcrease Institute, Tulsa, OK
Ti
Papa, Wellington, New Zealand
University
of Minnesota Art Museum, Minneapolis
University
of Oklahoma Museum of Art, Norman
U.S.
Department of the Interior, Washington, DC
West
Seattle High School, Seattle, WA
Whitman
College—Sheehan Gallery, Walla Walla, WA
1990 Wotazootoo!, Joan Robey Gallery, Denver,
CO
A Spirit Reigns, Marianne Partlow
Gallery, Olympia, WA
Native Proof, American Indian Community
House Gallery, New York, NY
For
the Birds, Sunbird Gallery and Frame Design, Bend, OR
1989 First Impressions: Northwest Monotypes,
Seattle Art Museum—the PONCHO Series, Seattle, WA (catalogue)
The
Fourth Biennial Native American Fine Arts Invitational, Heard Museum, Phoenix, AZ, Curator: Margaret
Archuleta
(catalogue)
Oregon Arts Commission Fellowship Recipient
Show, Salem Art Association—Bush Barn Art Center, Salem, OR
1989 Masks and Works on Paper, Francine
Seders Gallery, Seattle, WA
New
Masks, Marianne Partlow Gallery,
Olympia, WA
Animal Imagery, Susan Cummins Gallery,
Mill Valley, CA
Masks:
Cultural and Contemporary, Afro-American Historical & Cultural Museum,
Philadelphia, PA (catalogue)
Oregon
Biennial 1989, Portland Art Museum—Oregon Art Institute, Portland,
OR, traveling to: Oregon State
Capitol,
Salem, OR; and Oregon Coast Council for the Arts, Newport, OR
1988 Coyote
as Mythological Figure: Rick Bartow and Daniel Stolpe, Oregon Art
Institute—Wentz Gallery, Portland,
OR
(catalogue)
Kenneth
Banks Gallery, Oakland, CA
Birds and Flight: Various Interpretations,
Francine Seders Gallery, Seattle, WA
Native American Art of California and Nevada,
Jerome Evans Gallery, Sacramento, CA
Second
International Contemporary Print Fair, Los Angeles, CA
A Midsummer Night's Dream: Dreams as
Personal Mythology, Blackfish Gallery, Portland, OR
1987 Of
Lillian Pitt and Rick Bartow, Marianne Partlow Gallery, Olympia, WA
The Artist and the Myth, Monterey
Peninsula Museum of Art, Monterey, CA
Oregon Biennial, Portland Art Museum,
Portland, OR
Oregon, Washington Juried Exhibition of Art,
Maryhill Museum, Goldendale, WA
New Public Collection, Schneider Museum
of Art—Southern Oregon University, Ashland, OR
Innerskins/Outerskins: Gut and Fishskin,
Craft and Folk Art Museum, San Francisco, CA
Contemporary Visions: Fifteen Native
American Artists, Read Stremmel Gallery, San Antonio, TX
1987 New Directions / Northwest, Oregon Art Institute—Portland Art Museum,
Portland, OR and Evergreen State
College, Olympia, WA (catalogue) traveling to:
Alaska
State Museum, Juneau, AK
Carrie
McLain Memorial Museum, Nome, AK
Fairbanks
Arts Association, Fairbanks, AK
Fine
Arts Center, Longview, WA
Esvelt
Gallery, Pasco, WA
Grays
Harbor College, Aberdeen, WA
Kittredge
Gallery, Tacoma, WA
Lynnwood
Arts Commission, Lynnwood, WA
Northlight
Gallery, Everett, WA
Peninsula
College, Port Angeles, WA
Sara
Spurgeon Gallery, Ellensburg, WA
Seattle
Central Community College, Seattle, WA Sheldon-Jackson
Museum, Sitka, AK
Spokane
Community College, Spokane, WA
Visual
Arts Center, Anchorage, AK
1986 Governor's Indian Art Exhibition, State
Capitol Building, Salem, OR
Native American Art: Our Contemporary
Visions, Read Stremmel, Reno, NV
Masks: New Expressions in Transformation and
Obscurity, Oregon College of Art and Craft, Portland, OR
Weird
and Witty: Constructions by Northwest Artists, Marylhurst
University—The Art Gym, Marylhurst, OR
1985 Fortissimo!
Thirty Years of Contemporary Art, Portland Art Museum, Portland, OR
Group
Exhibitions continued
1985 Northwest Artists: Alaska, Washington &
Oregon, American Indian Contemporary Arts Gallery, San Francisco, CA
Oregon
Artists Show, Arts in Oregon
Council, Portland, OR
Masks/Mesques/Masx,
Galleria Mesa, Mesa, AZ, traveling until 1987 (catalogue)
Beyond
Blue Mountains, Washington State Art in Public Places Program—Public
Art Space, Seattle, WA
Visage
Transcended: Contemporary Native American Masks, American Indian
Contemporary Arts Gallery,
San
Francisco, CA, traveling (catalogue)
1983 Newport Jazz and Art Festival, Newport,
OR
1982 Lebowitz
Gallery, Lincoln City, OR (three-person)
1978 Slight
Variations—Contemporary Native American Painting, American Indian
Community House
Gallery/Museum,
New York, NY (four-person)
Awards
2003 John
Olbrantz Juror's Award and Reese Lamb and Paul Lamb Art About
Agriculture Award, Oregon State
University—Giustina
Gallery, Corvallis, Jurors: Harrison Branch, Tallmadge Doyle, John Olbrantz
1991 Who We Are: Autobiographies in Art,
Washington State Arts Commission, Olympia, WA
1990 Betty Bowen Special Recognition Award,
Seattle Art Museum—PONCHO, Seattle, WA
1983 First
Place: Drawing Competition, Newport Jazz and Arts Festival, Newport, OR
1981 Oregon
Coast Council for the Arts, Newport, OR
Commissions
2011 Ford Alumni Center, University of Oregon, Eugene OR
2011 Center for Health and Nutrition, Western Oregon University, Monmouth,OR,
collaboration with Nancy Blair –
carved
wood and cast glass
2009 TRIMET,
City of Portland, Oregon, cast bronze sculpture on light rail line
2003 TRIMET,
City of Portland, Oregon, cast bronze sculpture, in collaboration with Lillian
Pitt and Ken MacIntosh
2001 VIP
Lounge—Oregon Convention Center, City of Portland, OR, three 40 x
26-inch pastel drawings
A
Story of Water, 15-foot carved Western Red cedar pole, private commission
2000 Bandon Dunes, Bandon OR, three
drypoint print editions
Patron
Print, Portland
Art Museum—Gilkey Center for the Graphic Arts, Portland, OR, drypoint
1997 The Cedar Mill Pole, Oregon College of
Art & Craft, Portland and Washington County, OR
Grand Ronde Tribal Wellness Center,
Grand Ronde, OR, carved a series of 8 pole tops
Paper Nao, Tokyo, Japan, carved cedar
door panels
Red
Octopus, Newport PAC's Studio Theatre, OR, painting series for Shakespeare
performances
1994 The Second Reflex Print Portfolio, Reflex Magazine, Seattle, WA
1992 Governor's Arts Awards, Oregon Arts
Commission, commissioned carved masks for the awards
Oregon Arts Commission—Oregon
Corrections Division, Salem, OR, lithograph print editions
1990 Saks
Fifth Avenue, Portland, OR, large-scale murals
1989 Journeys,
Pacific Dance Ensemble, Alice Silverman Stage —Newport Performing Arts
Center, Newport, OR,
series
of carved masks
1985 Art in Public Places, Washington State Arts Commission,
Olympia, WA
1981 Oregon
Coast Council for the Arts, Newport, OR
1976 Smithsonian Museum, Washington, DC
National
Geographic, Washington, DC
Fellowships
2002 Flintridge
Foundation Award for Visual Artists, Pasadena, CA
2001 Eiteljorg
Fellowship for Native American Fine Art, Eiteljorg Museum of American
Indians and Western Art,
Indianapolis,
IN, Jurors: Sarah Bates, Colleen Cutschall, Truman Lowe
1988 Brandywine Visiting Artist Fellowship,
Philadelphia, PA
1987 Fellowship in Visual Arts, Oregon Arts
Commission, Salem, OR
Public
and Corporate Collections
Bandon Dunes Golf Club, OR
Beaverton Lodge Retirement Residence, OR
Berlin Ethnological Museum, Germany
Boise Art Museum, Boise, ID
Brandywine Workshop, Philadelphia, PA
City of Newport, Oregon—City Hall
City of Newport, Oregon—Newport Public Library
City of Portland, OR—Multnomah County Portable Works
City of Seattle, WA—Department of Waterworks
City of Seattle, WA—Northwest Visions (Portable Works)
De Saisset Museum, Santa Clara University, Santa Clara, CA
Denver Art Museum, Denver, CO
Eiteljorg Museum, Indianapolis, IN
Federal Reserve Bank, Portland, OR
Gonzaga University, Spokane, WA
Grand Ronde Tribal Wellness Center, Grand Ronde,
OR
Hallie Ford Museum of Art, Salem, OR
Harborview Medical Center, Seattle, WA—CulturalHeritage
Heard Museum, Phoenix, AZ
Hood Museum of Art, Dartmouth College, Hanover, NH
Maryhill Museum, Goldendale, WA
Mentor Graphic Corporation, Wilsonville, OR
City of Mesa, AZ, portable works collection
Microsoft Corporation, Redmond, WA
Minneapolis Institute of the Arts , MN
Museum of Man, Frankfurt, Germany
National Museum of the
American Indian, New York, NY & Washington, DC
National Vietnam Veterans Art Museum, Chicago, IL
New Mexico Museum of Art, Santa Fe, NM
Oil Sands Company, Tokyo, Japan
Oregon Arts Commission, Salem, OR
Oregon College of Art and Craft, Portland, OR
Oregon Health Sciences University, Portland, OR
Oregon State University—Valley Library,
Corvallis, OR
Oregon State Lands Building, Salem, OR
Paper Nao, Tokyo, Japan
Penthouse Magazine
Pieper-Riegraf Collection, Germany
Playboy Magazine
Portland Art Museum, Portland, OR
Regional Arts & Cultural Council, Portland, OR
Research and Education Group, Portland, OR
The Rockwell Museum, Corning, NY
Saks Fifth Avenue, Portland, OR; Phoenix, AZ
Salem Art Association, OR
Schneider Museum of Art—Southern Oregon
Univ, Ashland, OR
Jordan Schnitzer Museum of Art, University of
Oregon, Eugene
Scottsdale Museum of Contemporary Art, Scottsdale,
AZ
Seattle Art Museum, Seattle, WA
Seattle Public Schools, WA—Whittier
Elementary School
Shinpukuji Temple, Yamanota Village, Japan
Society for Contemporary Crafts, Pittsburgh, PA
Stoel Rives, Portland, OR
Tacoma Art Museum, Tacoma, WA
Tri-Met, Portland, OR
The Evergreen State College, Olympia, WA
The University of Notre Dame, IN
University of Oregon-Knight Law Library, Eugene,
OR
University of Oregon- Law Center, Eugene, OR
Washington State Arts Commission, Olympia, WA
Washington County Public Services Bldg, Hillsboro,
OR
Weisman Art Museum at University of Minnesota, MN
Western Michigan University,
Kalamazoo, MI
Westfalisches Landesmuseum, Munster, Germany
West Seattle High School, Seattle, WA
Artist-In-Residence
2010 Pilchuck
Glass School, Stanwood, WA
2008 Nauhaus,
Houston, TX
2008 Crow's
Shadow Institute of the Arts, Pendleton, OR, intaglio prints and lithograph
with Eileen Foti, Master
2001 Crow's
Shadow Institute of the Arts, Pendleton, OR, intaglio prints and lithograph
Teaching Experience: Lectures,
Symposiums And Workshops
2011 Drawing Workshop,
National Museum of the American Indian, Smithsonian Museum, Washington, DC
2003 Rick
Bartow: Discovery and Fusion, Maryhill Museum—Queen Marie Gallery,
Maryhill, WA
Figurative
Work from the Pacific Northwest, Artemesia Gallery, Chicago, IL, slide
lecture by Christine Bourdette
2002 Sources
of Sight: An Artists' Symposium in Conjunction with 'Rick Bartow: My Eye',
Hallie Ford Museum of
Art—Willamette
University, Salem, OR, with Dr. Gerald McMaster—National Museum of the
American Indian
Dialogue
with Oregon Writer Barry Lopez, Willamette University—Robert Hull
Lecture Hall, Salem, OR
2001 Rutgers
University, NJ
East-West Ethnic, Social, Political, and
Aesthetic Issues, lecture for Crossing Boundaries—East-West
Symposium
in Print Art, Portland, OR
The
Gathering of Indigenous Visual Artists, Longhouse Education and Cultural
Center, Olympia, WA
Art
Classes, MacLaren Youth Correctional Facility, Woodburn, OR, since 2000
Friday
Lunch Series: Artist Talk with Rick Bartow, Tacoma Art Museum, Tacoma, WA
Weekend
Workshop: The Art of Rick Bartow, Tacoma Art Museum, Tacoma, WA
2001 Western
Michigan University, Kalamazoo, MI, workshop and lecture
2000 Schneider
Museum of Art, Southern Oregon University, Ashland, OR, lecture
Portland
Art Museum—Friends of the Gilkey Center, Portland, OR, lecture
Professional
Practices, Oregon Coast Art Commission, Newport, OR
1999 Questions
in the Present, Solutions in the Past, Stonington Gallery, Seattle, WA
Teaching
Experience, continued
1999 Images and
Personal Icons, Evergreen State College
Longhouse, Olympia, WA
1998 The Healing Mark, Oregon Art Therapy
Association—2nd Annual Conference, Providence Saint
Vincent
Medical Center, Portland, OR
1996 Journey
to the Four Directions, Portland Art Museum—North Wing, Portland, OR
1996 Sweat
Lodges and American Spirituality, Robert McDougall Gallery, Christchurch,
New Zealand
Origins: Cultures Exchanging Ideas Through
the Creative Process of Art, Interstate Firehouse
Cultural
Center, Portland, OR
1994 Featured
Artist, Art Beat, Portland Community College—Sylvania Campus,
Portland, OR
1993 Earth
Fire Water, Clatsop Community College Art Center Gallery, Astoria, OR,
papermaking
1993 workshop
with Naoki Sakamoto, with ten Native American artists, Coordinator: Lillian
Pitt
1992 Rick
Bartow: Drawings and Paintings, Central Washington University, Ellensburg,
WA
1990 Maskerade,
Children's Museum, Newport, OR
1988 Mask
Exploration, Oregon Coast Community College, Newport, OR, spring term
1987 Traditional
Fine Arts Celebration, Yaquina View Elementary School, Newport, OR
1978-80s Corvallis
Community College, Corvallis, OR
Portland
Community College—Cascade Campus;
Portland
Community College—Rock Creek Campus; and
Portland
Community College—Sylvania Campus, Portland, OR
1977 Siletz
School, Newport, OR
Books
2010 Doubters
and Dreamers (cover artwork), Janice Gould, University
of Arizona Press, Sun Tracks, Vol 67
2009 Green Diver (cover artwork), Peter Sears, WordTech
Communications, ISBN: 1934999687
2004 Native Universe: Voices of Indian America,
Editors: Gerald McMaster and Clifford E. Trafzer, Publisher:
Smithsonian
National Museum for the American Indian, Washington D.C., ISBN# 0-7922-5994-7
2003 Children
of Native America, A Photographic Journey, Publisher: Shakti Books, Funding
for: The Global Fund for
Children
2002 So
Fine! The Heard Museum, Phoenix, AZ, Essay: Kay Walkingstick, pp 56-57,
ISBN #0-934351-66-X
The
Dirt is Red Here: Art and Poetry from Native California, Editor: Margaret
Dubin, Publisher: Heyday Books,
Berkeley,
CA, ISBN #1-890771-54-6
2001 Indian
Country, Gwendolyn Cates, Publisher: Grove Press, New York, NY,
ISBN#08021-1696-5
My Eye, Hallie Ford Museum of Art—Willamette University, Publisher:
University of Washington Press, Seattle,
WA,
ISBN# 0-295-98216-0
After the Storm: The
Eiteljorg Fellowship for Native American Fine Art, Editor: W Jackson
Rushing III,
Publisher:
University of Washington Press, Seattle, WA, Essay: Carol
Podedworny, ISBN #0-295-98174-1
Native America, Collected the Culture of An Art
World, Margaret Dubin, University
of New Meixico Press, Albuqueque, NM ISBN 0-8263-2174-7
2000 Paper
Across Continents, Naoaki Sakamoto, Publisher: Sanshodo Insatsu Co., Ltd.
Tokyo, Japan,
pp
24-25, 104-107, ISBN#4-9980911-07
1999 Native American Art in the Twentieth Century:
Makers, Meanings, & Histories, Editor: W Jackson Rushing III,
Publisher:
Routledge Publishing Co., London, UK, pp 159-160 (illustrations)
Dreaming
the Dawn: Conversations with Native American Artists and Activists,
Publisher: University of
Nebraska
Press, Lincoln, NE, Essay: EK Caldwell, Introduction: Elizabeth Woody, pp 33-39
1999 Indian
Reality Today—Contemporary Indian Art of North America, Germany,
Essay: Manuela Well-Off-Man,
pp
26-28, ISBN# 3-932959-12-4
1998 Betty Bowen Award: Twentieth Anniversary
Exhibition, Publisher: Marquand Books,
Seattle, WA, Essay:
Vicki
Halper
1997 Twentieth Century American Sculpture at the
White House, Publisher: Harry N. Abrams, New York,
Essayists:
Martin Sullivan and Hillary Rodham Clinton
1997 St.
James Guide to Native North American Artists, Roger Matuz, Publisher: St.
James Press, Detroit, MI,
Essay:
Kristin Potter, Introduction: W Jackson Rushing III
New Art from Native America,
Bucknell University—Center Gallery, Lewisburg, PA, Essay: Johann JK
Reusch
1996 The Telling of The World, Editor: W S
Penn, Publisher: Stewart Tabori and Chang, New York, NY, pp 57, 113,
123,
208, 231
1995 Contemporary Art in the Northwest, Lois
Allan, Publisher: Craftsman House, Roseville, New South Wales,
Australia,
pp 28-31
Books
continued
1995 Carving Traditions of Northwest California:
With a Reprint of the Carvers of the Indians of Northwest
California, Ira Jacknis and Isabell Kelly, Publisher: Phoebe
Apperson Hearst Museum of Anthropology, Berkeley,
CA,
pp 61-63
1994 The Art of Seeing, Mary Pat Fisher and
Paul Zelanski, Publisher: Prentice Hall, Englewood Cliffs, NJ, pp 26-27
1989 I Become Part of It: Sacred
Dimensions in Native American Life, Editors: DM Dooling and Paul Jordan Smith,
Publisher:
Parabola Books, New York, NY
1979 A Blaze of Distance: A Book of Poems and
Interviews, Publisher: Oregon Coast Council for the Arts, Newport,
Essay:
Barry Lopez (illustrations)
Catalogues
2010 Critical Messages,
Contemporary Northwest Artists on the Environment, University of Washington
Press, traveling exhibition, essays: Sarah Clark-Langager, William Dietrich, pp
26-27
2008 Unpacking the
Collection, Selections from the Museum of Contemporary Craft, Museum Of Contemporary
Craft, Portland, OR, pp 116-117
2006 About Face: Self-Portraits by Native
American, First Nations and Inuit Artists, Publisher: The Wheelwright Museum
of the American Indian, Santa Fe, NM, Editors Joan Katheryn OÕDonnell and
Jonathan Batkin, pp17-18, plate 18.
2003 Oregon
College of Art and Craft: Art on the Vine, Portland, OR, p 55
2002 Festival
Internacional Cervantino XXX Aniversario—Artes Visuales, Museo Casa
Diego Rivera, Guanajuato,
Mexico,
Essay: Rene Bustamante, pp 23 – 26
Rick
Bartow—Espiritus Despiertos, Museo Casa Diego Rivera, Guanajuato,
Mexico, Essays: Rene Bustamante
and
Ramiro Osorio Fonseca
Envoys,
Whitman College—Sheehan Gallery, Walla Walla, WA, Essay: Ian Boyden
George
Johanson: Artist's Portraits, Portland Art Museum, OR, Essay: Prudence
Roberts
2001 Rockwell Museum of Western Art,
Corning, NY
12th
Street Series: Rick Bartow, Tacoma Art Museum, Tacoma, WA, Essay: Gail
Tremblay
Images
for the New Millennium, Western Michigan University, Kalamazoo, MI, Editor:
Barbara Brotherton
2001 Out of a Hat: 53 Drawings, Portland
Institute for Contemporary Art, OR, Essay: Stuart Horodner
2000 Indian Time: Art in the New Millennium,
Institute of American Indian Arts Museum, Santa Fe, NM, Essays:
Joanna
Osburn Bigfeather, Bently Spang
Rick
Bartow: Stories, Schneider Museum of Art—Southern Oregon University,
Ashland, OR
Twenty-Fifth Annual National Invitational
Drawing Exhibition, Emporia State University, KS
1999 Bartow: Dance Harder! (Hal o may yah),
Froelick Adelhart Gallery, Portland, Oregon, Essay: Lois Allan
Begegnungen:
Indianische Kunstler aus Nordamerican—Indian Reality Today: Contemporary Indian Art
of
North America, Editor: Alfred Hendricks,
Westfalisches Landesmuseum fur Naturkunde, Munster, Germany
1998 Head+Heart+Hands, Kentucky Art and Craft
Gallery, Louisville, KY, Essays: Truman Lowe and Jo Ortel
1997 New Art from Native America, Bucknell
University, Lewisburg, PA, Essay: Johann JK Reusch
Sensing the Root, Derek Simkins Gallery
of Tribal Art, Vancouver, British Columbia
1996 Native Streams: Contemporary Native American Art, Indiana State University, Terre Haute, IN,
Essay:
Margaret
Archuleta, Forward by Jan Cicero and Craig McDaniel
1994 Four Songs to Sing, Derek Simkins
Gallery of Tribal Art, Vancouver, British Columbia
1993 Crosscut/Contemporary Art from Oregon,
Portland Art Museum, Portland, OR
Truth Abandoned: An Exhibition of New
Paperworks and Sculpture, Derek Simkins Gallery of Tribal Art,
Vancouver,
British Columbia, Essay: Derek Simpkins
1992 Rick Bartow: Wings and Sweat, Jamison/Thomas
Gallery, Portland, OR, Essay: David Becker
The Spiritual World of the Native American,
Shizuoka City, Japan, n.p.
1992 The Submuloc Show/Columbus Wohs,
Atlatl, Phoenix, AZ, Essays: Charlotte DeClue, Joy Harjo, Lucy
Lippard,
Duane Niatum, and Elizabeth Woody
Who
We Are: Autobiographies in Art, Washington State Arts Commission, Olympia, WA, Essays: Abigail
Ehrlich
and Sheila Mullen
The
Betty Bowen Legacy: 14 Years of Award Winning Art, Seattle Art Museum,
Seattle, WA
1991 Shared
Visions: Native American Painters and sculptors in the Twentieth Century,
Arizona State University,
Tempe,
AZ, Essays: Margaret Archuleta, Joy Gritton, W. Jackson Rushing III, Rennard
Strickland
1989 The
4th Biennial Native American Fine
Arts Invitational, The Heard Museum, Phoenix, AZ, Essay: Margaret
Archuleta
First Impressions: Northwest Monotypes,
Seattle Art Museum, WA, Essay: Vicki Halper
Masks:
Cultural and Contemporary, Afro-American Historical and Cultural Museum,
Philadelphia, PA, Essay:
Leslie
King-Hammond
Catalogues
continued
1988 Coyote
as Mythological Figure: Rick Bartow * Daniel Stolpe, Oregon Art Institute,
Portland, OR, Essay:
Lawrence
Watson
1987 New
Directions / Northwest: Contemporary Native American Art, Oregon Art
Institute—Portland Art Museum,
Portland,
OR, Essays: George Longfish, Beatrice Medicine, Joan Randall, Gail Tremblay
1986 R.E.
Bartow—Portfolio: American Indian Contemporary Artists, American
Indian Contemporary Arts Gallery,
San
Francisco, CA, Essay: Abby Wasserman
1985 Visage
Transcended, American Indian Contemporary Arts Gallery, San Francisco, CA
Periodicals
2011 Beauty and the Beast, Wuon Gean Ho, Printmaking Today,
Spring, Vol. 20, No 1, pp.14-15. London, UK.
2010 Rick Bartow, Berlin Gallery
profile, Earth Song, Heard
Museum Magazine, December 2010 / January 2011, p. 8
Infinity of Nations, Cecile R. Ganteaume, American Indian Art Magazine, volume 35, number 4, autumn 2010, p
69
2009 Portland: Eco-Art Central, art
ltd., special eco issue, March/April2009, pp. 50 -54
2006 Of This Continent, W. Jackson Rushing III, American Indian Art Magazine, volume 32, number 1, winter 2006, pp 66-76.
Faith in His Fathers Flows to
Canvas, Vickie Aldous, Ashland Daily
Tidings, Weekend Guide, Ashland, OR, section B, May 20, 2006
2005 Clowns, Northwest Review,
Univ. of Oregon, Eugene, OR, vol. 43, no.1, pg 73 (image)
2004 Exhibition Review of Continuum: 12 Artists at the George Gustav Heye
Center, Jo Ortel, American Indian
Art
Magazine, volume 30, number 1, winter 2004, pp 68-77
Making
His Mark, Devon Jackson, Southwest Art, Houston, TX, volume 34,
number 3, August, pp 162-65
By
the People, Thomas Hayden, Smithsonian, volume 35, number 6,
September, pp 50-57, (image)
An ArtistÕs Haven, Mona Hinson, The Messenger, Oregon State University
Libraries, volume 19, number 1, Spring
2004,
pp 14-15
Multicultural Canvas, Julianne Crane, Spokesman Review, September 9, 2004
2003 The Cream City Review,
Milwaukee, WI, volume 27, number 1, Spring, cover and pp 44, 56, 115
March
15 through May 11—Rick Bartow: Discovery and Fusion, Maryhill
Museum of Art, Goldendale, WA, p 1
2003 Eiteljorg Fellowship Exhibition, Southwest Art, volume 31, number 3, pp258-62
Continuum at the National Museum of the
American Indian, ARTnews, summer
2003, volume 102, number 7 p152
2002 Salem, Ore.—Rick
Bartow at the Hallie Ford Museum, Sue Taylor, Art in America, New
York, NY, number 11,
November,
pp 166-167
On
the Wall—Rick Bartow, Hester Coucke, Artspirit, Corvallis Arts
Association—Linn-Benton Arts Council,
Corvallis,
OR, volume 8, issue 10, October, p 3
About
Art: Fairbanks Offers Works by Native American Artist, n.a., The
Entertainer, Corvallis, OR, 11 October, p 10
Straight
with the Medicine, Barry Lopez, Orion, Great Barrington, MA,
October, pp 102-107
Connecting
Cultures, Julie Pratt McQuiston, Native Peoples, Phoenix, AZ,
May/June, pp 44-47
Visual
Arts: Rick Bartow Retrospective, Lois Wadsworth, Eugene Weekly,
Eugene, OR, 21 February
Exhibition
and Topics, Hidekki Kimura, Hanga Geijutsu, Tokyo, Japan, #116,
Summer, pp 135 & 146,
ISBN#4-87242-116-7
Rick
Bartow: My Eye, Steffen Silvis, Willamette Week, Portland, OR, 20
February, p 64
Flintridge
Foundation Names Award Winners, Artweek,
San Jose, CA, February, p 2
Arts
& Entertainment: Seiichi Hiroshima, The Asian Reporter, Portland, OR, 12 March, p 16
Exhibition
Catalogues of Interest—Rick Bartow: My Eye, Marla Davis Green, Preview,
Vancouver, BC, June/July
August,
p 55
Rick
Bartow: My Eye, Marla Davis Green, Preview, Vancouver, British Columbia, January/February, p
33
Rick
Bartow: My Eye, Brushstrokes, Hallie Ford Museum of Art, Salem, OR,
January-June, volume 4, #1
2001 Today's Works of Ancient
Cultures, SL Berry, Weekend, The Indianapolis Star, IN, 9 November
pp 4 and cover
World
Report: Portland—Crossing Boundaries: East West Symposium in Print Art,
Hidekki Kimura, Hanga
Geijutsu, Tokyo, Japan, #114, Winter, pp 132-133
Art
Saves Lives! (Sort Of): On PICA's Visual Arts Flank, Steffen Silvas, Willamette
Week, Portland, OR,
26
December, p 26
Eiteljorg
Fellowship Exhibit: A New Museum Program Spotlights Contemporary Native
American Fine Art, n.a.,
Southwest
Art, Houston, TX, volume 31, number 3, August, pp 258-261
Visual
Stories, Julie Pratt McQuiston, Nuvo, Indianapolis, IN, 21 November,
p 13
A
Big One, David Hoppe, Nuvo, Indianapolis, IN, 21 November, p 12
Portfolio
of Native American Art,
Charleen Touchette, The Magazine, Santa Fe, NM, vol 10-#11, August, pp
23-9
Periodicals continued
2001 Works on Paper Originally in B&W, ZYZZYVA, San
Francisco, CA, volume XVII, #3, pp 108, 118
Navajo,
interview with Nasdijj, Bark Magazine, Berkeley, CA, #16, Fall, pp 7, 55
(illustration)
2001 News and
Hangings, Lisa Lambert, Willamette Week, Portland, OR, 12 December,
p 66
Frank LaPena, The Arts, Fall, p 7
Recognizing
Artists of the Highest Caliber, Eiteljorg Newsletter, Indianapolis,
IN, 4th Quarter, volume 12-4, p 1
2000 Indian Time: Art in the New Millennium,
Richard Garriott-Stejskal, Crosswinds,
Albuquerque, NM, 29 June,
pp
10-12
2000 Group Show, Indian Time, Susanna
Carlisle, THE, Santa FE, NM, July, p
71
Honoring the Past, Embracing the Future,
Rebecca Dobkins, American Indian Art
Magazine, Scottsdale, AZ,
volume
25, #2, Spring, p 46-53
Lost and Found, Daniel Drollette, The Sciences, New York, NY, Jan/Feb,
vol 40, #1, p 18-19
Òintervals, frames,
and accelerationsÓ at Froelick Adelhart Gallery, Lois Allan, Artweek,
San Jose, CA,
September,
volume 31, #9, pp 28-29
Intervals, Frames, and Accelerations,
Karrin Ellertson, Portland Mercury,
OR, 8 June, p 25
Snowglobe Invitational, Lisa Lambert, Willamette Week, Portland, OR, pp 39,
97
1999 Rick Bartow, Margaret Dubin, Indian Artist, Santa Fe, NM, volume 5,
number 1, Winter, pp 36-41
Treasures
From the Attic, Susan Hauser, Sunset Magazine, January, p 32
Best Lure to the Stage, Willamette Week, Portland, OR, July, Best
of Portland issue
A New Home for UniversityÕs Art, Stein
Broeder, Horizon Air Magazine,
Seattle, WA, January, p 7
Art Inspired by Japanese Zen Buddhist
Temples, Asian Reporter,
Portland, OR, volume 9, #1, 9 July, p 15
Rural
Hideaway, Sheila de la Rosa, Oregon Home Magazine, Portland, OR,
volume 2, #4, Winter, pp 48-49
1998 Oregon: Transformations, Donna Tennant, Southwest Art, Houston, TX, December, p
92
New Art Museum, Donna Tennant, Southwest Art, Houston, TX, December, p
92
Art:
Return of the Native, Susan Gosselin, Louisville
Magazine, Louisville, KY, p 21
New Museum Opens at Willamette University,
Artweek, San Jose, CA, volume 29,
number 10, October, p 2
1998 Honoring Native America, Andrea Robinson
and Margaret Archuleta, Native Peoples,
Phoenix, AZ,
August/September/October,
volume 11, number 4, pp 34-38
Native Sculptures Dominate White House
Gardens, Margaret Archuleta, Aboriginal
Voices, Toronto, Canada,
volume
5, number 4, July/August, pp 34-40
Trusteeship,
Association of Governing Boards of Universities and Colleges, Washington DC,
November/December,
cover
1997 Rick Bartow at Froelick Adelhart, Tracy
Smith, Art in America, New York, NY,
volume 85, # 7, July, pp 100-101
Rick
Bartow: Fifteen Birds, Northwest Review, Eugene, OR, volume
35, #3, Fall, pp 85-99
Unities,
The Georgia Straight, Vancouver, British Columbia 15-22 May, p 51
Road
Trip: Pole Sculpture is Travelling to Washington D.C., Imprint, Oregon College of Art and Craft, Portland, OR,
Summer/Fall
p 8
Redefining
Tradition: Museum Exhibit Gives Native American Art New Focus, Amy
Kepferle, Every Other Weekly,
Bellingham,
WA, 11-24 December, The Scene, pp 1, 17
The
Cedar Mill Pole, Newsletter for Washington County Department of Land Use,
Hillsboro, OR,
19
November, volume 9, #7, pp 3-4
Redefining
Tradition, Whatcom Museum Society Museum News, Bellingham, WA,
number 97-3, Fall, p 3
1996 Native
Streams, Michael Freeman, New Art Examiner, Chicago, IL, Summer
Rick Bartow: Dirt and Bone, D.K. Row, Willamette
Week, Portland, OR, 26 February, p 56
Museum
Exhibitions: Native Streams, South Bend Regional Museum of Art Member's News, South Bend, IN,
Winter
1995 Tacoma
Art Museum: The Land, Victoria Josslin, REFLEX, Seattle, WA, volume
9, #9, October/November, p 18
Froelick
Adelhart Gallery, Robin Roth-Davies, Ourtown, Portland, OR, 2
October, p 19
But
Is It Indian Art?, Lori Baker, PHOENIX, Phoenix, AZ, volume 27, #11,
pp 94-100
1994 Self Examination, Ron Glowen, Artweek, San Jose, CA, 6 October,
volume 25, #19, pp 18-19
Bartow:
Conversation with an Artist, EK Caldwell, Inkfish,
Waldport, OR, volume 1, #7, June, pp 3-5, 17
Indian
Arts for a Contemporary World, Marilynne Mason, The Christian Science Monitor, Boston, MA, 7
February,
The
Home Forum, pp 20-21
1994 Animal
Magic, Stephanie Speight, artsoregon, Salem, OR, volume 1, number 6,
April/May, pp 29-30
Question
of Beliefs, YOU, Tokyo, Japan, number 62, 4 June, p 80
Rehin-Main/Veranstaltungen, Frankfurter Allgemeine Sonnstagszeitung,
Frankfurt, Germany,
Seite
48, Montag, NR 259, 7 November,
Rick
Bartow, Serena Lesley, PCC Communities, Portland, OR, Spring/Summer,
p 3
Periodicals continued
1994 Artists Who Are Indian, On &
Off The Wall—Denver Art Museum, Denver, CO, Essay: Bently Spang,
January/February,
p 4
1993 Profile: Rick Bartow, Cheryl Hartup, Visions Art Quarterly, Los Angeles, CA,
Winter, pp 46-47
Contemporary
Icons at Bush Barn, Con Jacobs, artsalem, Salem, OR, pp 22-23
1993 Discovering
the Bond Between Humans and Nature, Rochelle Kelly, The Carrier, vol
46, #7, 19 February, pp 1-7
Rick
Bartow, David Becker, Seasons,
Oakland, CA, Winter
1992 WW
Jamison/Thomas, Garrick Duckler, Willamette Week, Portland, OR, 24
December
Coherence and Accessibility, Gregg
Morris, Reflex, Seattle, WA,
March/April
The
Raven Chronicles, Consolidated Press, Seattle, WA, Spring, volume 1, #2,
cover
But Is It Indian Art? Lori Baker, Phoenix, Phoenix, AZ, volume 24, number
11, November, pp 94-99
1992 New
World Times, Santa Fe, NM, August, back cover
Columbus
Woes, Rex Weil, City Paper, Washington, DC, volume 12, number 26, 26
June
1991 Seasons, Native American AIDS Prevention Center Summer Quarterly, Oakland,
CA
WW
Art Choice, Gregg Morris, Willamette Week, Portland, OR, 5 December,
p 51
1990 Indian Market: Santa Fe's Show of Shows, Simone
Ellis, The Santa Fe New Mexican Pasatiempo, Santa Fe,
NM,
17 August, p 12
Innate
Images: Contemporary Art Discards Cliches by Stressing Self-Awareness, Anne
Stephenson, America
West
Airlines Magazine, Tucson, AZ, July, pp 31-39
Notes
from the Field, Jack Hoyle, NW Gallery Art Magazine, Portland, OR,
July/August, pp 39-42
WW
Art Choice, Jack Hoyes, Willamette Week, Portland, OR, 12 April, p
36
1989 Connecting Present and Past, Abby
Wasserman, Artweek, Oakland, CA,
volume 20, #15, 15 April, p 4
Rick
Bartow: Fish Head Gone, Fish Head Back..., MIZUE, n.p., Tokyo, Japan, Winter, number 953
1989 The
Fourth Biennial Native American Fine Arts Invitational at the Heard Museum,
Margaret
Archuleta,
American Indian Art Magazine, Scottsdale, AZ, volume 15, #1, Winter, pp
54-61
1988 Out of The Darkness: Transformation of R.E.
Bartow, Timothy White, Shaman's Drum,
Berkeley,
CA,
Summer, #13, pp 16-23 and front cover
Man Behind the Mask, Doug Marx, Oregon Magazine, Portland, OR,
March/April, volume 18, #1, pp 36-39
1987 Six
Spirits In Time, Portfolio, Portland, OR, volume 9, number 1,
February/March, p 42
1986 Isolationism, Drake Deknatel, Northwest Artpaper, Seattle, WA, 15
August, p 13
1986 Rick Bartow, Reflex, Seattle, WA, n.d.
Raven,
Seasons, Oakland, CA, Winter, cover
WW
Choice: Emerging Disguises, Willamette Week, Portland, OR, 21
August, p 31
1985 Richard
E. Bartow: Four Drawings, North
Dakota Quarterly, University of North Dakota, Grand Forks, ND,
volume
53, number 2, April-June, pp 134-137
1982 Doghead
Disguise and the Boogyman, The Wood River Journal, Sun Valley, ID
1980-2 Fedora,
Oregon Arts Commission and Committee for the Humanities, Portland, OR
Articles
and Interviews
2007 Rick BartowÕs Journey Adds New Chapter,
D.K. Row, The Oregonian, Portland, OR
12 November, p D1
2003 Morning
Edition: Interview with Rick Bartow, Ketzel Levine, National Public Radio,
Portland, OR, 18 April, 7:50am
Oregon
Art Beat: Rick Bartow, Portland, OR, aired 13 April, 6pm
Vibrant
Indian art gets its chance in spotlight, Julianne Crane, The Spokesman Review.com, Lifestyle, 28 August
2002 Steam
and Sweat, Sarah Linn, The Daily Barometer, Corvallis, OR, B4-B5
Behind
the Canvas, Ron Cowan, The Statesman Journal, Salem, OR, 25 May, pp
B1-B2
Grace,
Falling Like Rain, Bob Hicks, The Oregonian, Portland, OR, 3 March,
D1 and D10
Dark
Star, Bob Keefer, The Register Guard, Eugene, OR, 24 March, D1-D2
Frame
Game: Rick Bartow at Hallie Ford Museum of Art, Stan Hall, The Oregonian,
Portland, 3 February, E10
2001 The
Buzz That Was: October 13, The Oregonian, Portland, OR, 28 December,
A&E, pp 6-10
Rick
Bartow: A Time of Visions, Larry Abbott,
www.britesites.com/native_artist_interviews/rbartow.htm, 9 August
Cedar
Pole Plaza Plan Grows Closer to Construction, Richard Colby, The
Oregonian, Portland,
15
November, Washington County Weekly Section
The
Frame Game: "East Meets West" at Froelick Gallery, Stan Hall, The Oregonian, Portland, 14 October, F10
2001 Print City: Froelick Gallery,
Bob Hicks, The Oregonian, Portland, OR, 9 October, p E1
The Art of Understanding, Cheryl Martinis, The Oregonian, Portland,
OR, 9 March, C2
Art
Within Art Offers Hints of Masterpieces, Annie Pierce Rusunen, The
Columbian, Vancouver, WA, 12 February
Galleries,
Pick Hit: Art About Art at Archer Gallery, The Oregonian, Portland,
OR, 18 February
Articles
and Interviews continued
2000 Exhibit
Evinces Spiritual Journey Undertaken in Arts, Crafts, Graham Shearing, Greenburg
Tribune-Review,
Pittsburgh,
PA, 25 June, B1-B3
Tip Sheet: LandsÕ Sakes, DK Row, The
Oregonian, Portland, OR, 8 September, A&E, p 58
First
Thursday: CriticÕs Picks,
DK Row, The Oregonian, Portland, OR, 1 June , E1
1999 Indian Art You WonÕt See in the Casinos,
Charlie LeDuff, New York Times, New York, NY, 19 September, p 39
The
High Price of Passion, DK Row, The Oregonian,
Portland, OR, 8 January, A&E, p 54
Beasts Corralled for Maryhill Exhibit, The
Enterprise, White Salmon, WA, 25 February
Maryhill Admission Free to J.C. Residents,
The Pioneer, Madras, OR, 26 May
1998 With
Help from Her Friends, Legacy of Artists' Advocate Bowen Lives on, Regina
Hackett, Seattle Post-
Intelligencer, WA, 2 October, p 19
American Indian Art Now, Gail King, Wall
Street Journal, New York, NY, 4 September, Weekend p 7
1998 The Arts: Tribal Pride, Jesse McKinley, New
York Times, New York, NY, 17 August, E1
Arts Elsewhere: Louisville, L Peat
OÕNeil, The Washington Post, Washington, DC, 16 August, G10
Native Crafts, Diane Heilenman, The
Courier-Journal, Louisville, KY, 16 August, I-1 through I-5
Indian
Crafts Merge Tradition, Contemporary Sensibilities, Diane Heilenman, Courier-Journal, Louisville,
KY,
16
August, I-1
Head Heart and Hands, Leddy Kim, Columbus
Alive, Columbus, OH, 10 December, pp 10-11 and front cover
Head, Heart, HandsÕ Exhibition Opens,
n.a., Indian Country Today,
Rapids City, SD, 17 August, C1-C3
Vita Vision, DK Row, The Oregonian,
Portland, OR, 5 August, A&E, E1
1998 A Native American Gathering, Sarah Booth Conroy, The Washington Post,
Washington DC, 9 February, B3
1997 Traditions: Old Ways, New Art, Ann
Friedman, The Bellingham Herald, WA, 21 November, C1-C4
Community
News: Cedar Mill, The
Oregonian, Portland, OR, 30 October, B3
Roots of Art, n.a., Daily Journal of
Commerce, Portland, OR, 15 April
1997 Delivering the Healing Pole, n.a., Daily
Journal of Commerce, Portland, OR, 15 April
Roots
of Art, n.a., Daily Journal of
Commerce, Portland, OR, 15 April
Drafts
and Drawings: Bartow's Monument, Randy Gragg, The Oregonian,
Portland, OR, 25 May
1996 Communication Bartow Style, Margaret
Dubin, Indian Country Today,
Rapids City, SD, 2 December, p 7
The Healing Tree Takes Shape, Don
Hamilton, The Oregonian, Portland, OR, 9 December, B4
Cultural Heritage Feeds Images, Robyn
Ussher, The Press, Christchruch, New Zealand, 26 June, p 15
Visions of Survival, Glen Inwood, The
Press, Christchurch, New Zealand
Design Knows No Bounds, Randy Gragg, The
Oregonian, Portland, OR, 25 May
Native
Know-How, Mary Thomas, Post-Gazette, Pittsburgh, PA, 15 November,
weekend edition
1995 Sweat Lodge and Inspiration, Roberta
Ulrich, The Oregonian, Portland, OR, 4 October, B1-B2
Energetic, Emotional Images Linger, Bob
Keefer, The Register-Guard, Eugene, OR, 21 April, E7
Kearns Hosts Reception for Four Artists,
n.a., The Register-Guard, Eugene, OR, 7 April
Rick
Bartow Sculpts a New Show of Older Work in Newport Gallery, Randy Gragg, The
Oregonian, Portland, OR,
27
December, D6
Fremde
Kunst in Vertrauten Bahnen,
Von Margaret Hucht, Bonner Rundschou, Bonn, Germany, 2 February
Tacoma
Art Competition Offers a Sweeping View of 'The Land', Robin Updike, Seattle
Times, Seattle, WA, E7
Earthly
Delights, Keith Raether, The News Tribune, Tacoma, WA, 23 July, SL-3
1995 The Post-Jamison Era, Megan McMorran, The
Oregonian, Portland, OR, 4 October, B8
The
Land: Earthly Delights in Tacoma, Ron Glowen, Everett Herald,
Everett, WA, 4 August
Goodbye
to the Great, Good Gallery, Barry Johnson, The Oregonian, Portland,
OR, 16 July, D1-D2
Local
Artists Jackie Niemi, Rick Bartow, Peg Mayo in Exhibit at Benton County
Historical Museum, n.a., Newport
News-Times, Newport, OR, 2 June, C7
Art
by Rick Bartow Featured at Maude Kerns Art Center in Eugene, n.a., Newport News-Times, Newport, OR,
31
March, C3
1995 A Flawed but Welcome Look at Northwest Art,
Randy Gragg, The Oregonian, Portland, 22 October, E1-E4
1994 Bartow Steps Out: The Multitalented Artist
Reaches New Heights of Creativity and Acclaim as He Exhibits His
Latest
Work on First Thursday,
Randy Gragg, The Oregonian, Portland, OR, 2 March, D6
Von Kojoten Und Menschen: Der
Indianerkunstler Rick Bartow in Frankfurt, Freddy Langer, Frankfurter Allgemeine
Sonnstagszeitung, Frankfurt, Germany, 23 October, p 26
1993 Truths and Transformations, Robin
Laurence, Vancouver Weekend Sun, Vancouver, British Columbia, 10 July,
C9
1993 State of the Art, the Art Museum's Crosscut,
Randy Gragg, The Oregonian, Portland, OR, July 18, D1-D6
1993 Indian
Art Attests to Vibrant Culture, Carol Fowler, The Times, Walnut
Creek, CA, 22 January, Time Out p 22
Articles
and Interviews continued
1993 Bartow's
Bright Art Contains Dark Visions, Paula Gustafson, The Georgia Straight, Vancouver, British
Columbia,
19
November, p 37
1992 Modern Art, Ancient Culture, Randy
Gragg, The Oregonian, Portland, OR, 14 July, K1-K4
Artists'
Autobiographies on Display, Brian Rainville, The Olympian, Olympia,
WA, 12 June, D3
Artist
Lectures on Work, n.a., Daily Record, Ellensburg, WA, 10 March
Bartow,
Boyden Featured in Exhibition at Coos Art Museum, n.a., Newport
News-Times, Newport, OR, 20 May
Artists
Gather in Newport to Discuss Achievement, Discuss Their Future, Cameron
Brandt, Newport News-Times,
Newport,
OR, 19 February
1991 Rick Bartow's Ecstasy and Obsession,
Randy Gragg, The Oregonian, Portland, OR, 27 December, pp 26-27
Artquake,
Bob Hicks, The Oregonian, Portland, OR, 20 September, p 5 and A&E
cover
1990 Pastel
Masks, Animals on Display at Fairbanks, n.a., Gazette-Times,
Corvallis, OR, 16 February, p 3
Art by the Saks-Full, Randy Gragg, The
Oregonian, Portland, OR, 24 August, A&E, p 21
A Case Where Bigger is Better, Randy
Gragg, The Oregonian, Portland, OR, 20 April, A&E, p 26
1990 "Works
on Paper" Opens in Newport, n.a., Newport News-Times, Newport,
OR, 7 February, A&E, p 3
1989 Seattle
Art Museum Exhibit Salutes Northwest Monotype Artists, Regina Hackett, Seattle
Post-
Intelligencer, Seattle, WA, 24 August, C8
Bartow
Guides 'Journeys' Mask-Making, n.a., Newport News Times, Newport,
OR, 22 February, C6
1988 This
Artist's Masks Reveal More Than They Conceal, Sheila Shafer, Central
Lincoln News, Newport,
OR,
16 March, B1
1987 Bartow
Exhibits Art at Newport Library, Leslie Glode, Newport News-Times,
Newport, OR, 28 January, C1
Yaquina
View Elementary School Celebrates Fine Arts, n.a., Newport News-Times,
Newport, OR, 2 May, A6
1986 Dog
(Portrait of the Artist), n.a., The Oregonian, Portland, OR, 11
April
Portfolio:
American Indian Contemporary Arts, Abby Wasserman, Native Vision,
volume 3, #2, May/June, pp 1-8
1977 Closed
Doors Open Up, Diana Thompson, Newport News-Times, Newport, OR,
n.d., pp 1, 12
